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Mr. Nobody is a 2009
. It was written and directed by , produced by , and starred , , , , , ,
and . The film tells the life story of Nemo Nobody, a 118-year-old man who is the last mortal on Earth after the . Nemo, memory fading, refers to his three main loves and to his parents' divorce and subsequent hardships endured at three critical junctions in his life: at age nine, fifteen, and thirty-four. Alternate life paths branching out from each of those critical junctions are examined. The speculative narrative often changes course with the flick of a different possible decision at each of those ages. The film uses
Mr. Nobody had its world premiere at the
where it received the
and the Biografilm Lancia Award. Critical response was generally strong and the film was nominated for seven , winning six, including
for Van Dormael. The film was mostly funded through European financiers and was released in Belgium on 13 January 2010. Since its original release, Mr. Nobody has become a , noted for its philosophy and cinematography, personal characters and 's soundtrack.
In 2092, humanity has conquered mortality through the endless renewal of . The world watches in fascination as the 118-year-old Nemo Nobody, the last mortal on Earth, edges towards death. Curious to know of life before quasi-immortality, they interview Nemo. Dr. Feldheim, a psychiatrist, uses
to help Nemo recall some of his memories, while Nemo relates other memories to a journalist. As he is prodded, Nemo makes contradictory statements. He recounts his life at three primary points: at age 9, when his parents divorced, at age 15 when he fell in love, and at age 34 as an adult. All three unfold into their many possible outcomes.
Nemo explains that before birth, children remember everything that will happen in their lives. At the moment of conception, the Angels of Oblivion erase their memory. The Angels, however, forget about Nemo, allowing him to "remember" different possible futures for himself. At age 9, at a railway station, he is forced to choose as his mother leaves on a train while his father stays on the platform. In one case, he manages to board the train while in another he stays with his father.
A rebellious Nemo lives with his mother and her new partner, Harry, in Montreal. He sees a new girl, Anna, in his school and is immediately smitten. One day on the beach, Anna asks if he would like to swim with her and her friends. Nemo insults her friends and they barely see each other again.
In an alternate story line, Nemo admits to A the two spend time together and fall in love. Anna turns out to be Harry's daughter and the two step siblings begin an illicit affair. They pledge their lives to one another. When Harry and Nemo's mother break up, Anna goes to
with her father, and they lose touch. Years later, Nemo works as a , hoping to run into Anna by chance. They finally see one another at the train station and immediately recognize each other in a crowd of passers-by. After a passionate reunion, Anna announces she is not ready to immediately resume the relationship. She gives him her number, asks him to call her in two days and meet at the lighthouse. However, he loses her number when a sudden downpour makes her note illegible. Nemo waits at the lighthouse every day, but Anna does not come.
In a different storyline, Anna and Nemo are married with children. Nemo works at a
narrating educational videos. One evening, while returning home, he hits a bird, loses control of his car, plummets into a lake and drowns.
Nemo stays with his father, who later becomes . He works in a shop and spends his free time at home at the typewriter, writing a
about a journey to Mars. At a school dance, he meets Elise and falls in love. A few days later, Nemo goes to Elise's house but sees her with her 22-year-old boyfriend. Frustrated, he speeds away on his motorcycle, has an accident and is hospitalized in a . Though he can perceive the world through his senses, Nemo cannot move or speak. He detects his parents' reunion at his bedside. Nemo tries to remember the movement of his fingers on the typewriter keyboard and eventually manages to lift a finger as this story line comes to a close.
In yet another alternate timeline, Nemo speaks with Elise at her house, and learns that she is still in love with her boyfriend, Stefano. Nemo does not back down and keeps assuring her of his feelings. Finally, Elise gives in and a few years later, they get married. In one version of the story line, Elise dies in an accident on the return from the wedding. Nemo keeps her , having promised her to spread them on Mars. In a far future, Nemo carries Elise's ash to Mars and spreads them on the planet's surface. Aboard the spacecraft traveling back to Earth, he meets Anna. Before they can say much to each other, the ship is destroyed by meteoroids. In an alternate version of events, he works at the same television studio but his assistant drowns instead. The assistant's widow is Anna, whom he recognizes. Another storyline has Nemo and Elise married with three children. However, their marriage is unhappy as Elise suffers from
and chronic depression. She has attacks of
and, despite Nemo's attempts to save their marriage, ultimately leaves him to pursue Stefano.
Alternatively, after being rejected by Elise, Nemo resolves to marry the first girl who will dance with him at the school prom. That night, he dances with Jeanne. While taking her home, Nemo pledges to marry her and be successful. Despite being successful and have two children, Nemo is unhappy and bored with his life. Nemo writes over all his possessions to Jeanne and leaves his family. Now making all of his decisions randomly via coin toss, he goes to the airport, and pretends to be a passenger named Daniel Jones and is taken to a hotel by a waiting . At Jones' hotel room, Nemo is murdered while taking a bath, and his body is dumped in the woods.
Running throughout all the many paths his life could take or has taken, the adult Nemo recurringly awakens in a surrealistic world dominated by . This setting seems artificial, like a movie set, and often appears to bleed over into his other lives. Following clues that he finds scattered throughout this city, he ultimately arrives at a crumbling, abandoned wooden-framed house. He stumbles upon a DVD player hooked up to a television screen. In the strangely interactive video, the 118-year-old Nemo converses with the 34-year-old one. He explains that the younger man does not exist. This is a universe where Nemo Nobody was never born, and his consciousness is stuck in some sort of limbo. He states that he is experiencing the story from the end and that he must stay alive until 5:50 AM on 12 February 2092.
Before his death, Mr. Nobody tells the journalist that neither of them exist. They are figments in the mind of the 9-year-old Nemo at the train station, as he was forced to make an impossible choice. The young boy tries to find the correct decision, following each choice to its conclusion. Eventually, the boy takes a third option: to not make the choice at all. He leaves both parents and runs away towards an unknown future. This ambiguous choice somehow leads to him and Anna reuniting happily. The film returns to old Nemo on his death bed. The calculated time arrives and Mr. Nobody's last words are watched by the world. The
comes to a halt and time appears to reverse. The universe ceases to dissipate, and finally begins contracting. Consequently, Nemo's life simplifies itself. He is able to return to his childhood, watch his parents get back together and be with Anna. The 118-year-old man cackles triumphantly as he springs back into awareness with the realization that his younger self has finally found his one true love and life.
The cast at the premiere for the film in September 2009 (left to right): Linh Dan Pham, Sarah Polley, Diane Kruger, and Jared Leto
as Nemo Nobody, both 34- and 118-year-old. Nemo is a
word meaning "nobody". The name Nemo alludes to , the main character of 's novel . It is the false name that
in 's poem
gives to the cyclops , to deceive him and save his own life. Van Dormael said that Leto was chosen because he is "an actor who could transform himself, as much physically as vocally, rhythmically, his breathing." Leto described his role saying, "Mr. Nobody is everyone and no one all at the same time, an illusion, the product of his own dreams. He's love, he's hope, he's fear, he's life and he's death. This is without doubt the most complex character I've ever played. It was a challenge to keep all these lives concentrated into one character for the duration of the filming without losing myself. But we had outlines and things that helped me to keep track of where we were." Actor
portrays Nemo at fifteen and
Nemo at nine.
as Elise. Polley was the first to be cast in the film. She describes Elise as "a young woman who carries a lot of love inside her. She yearns to be the best of mothers but just can't do it. She's frustrated because of this inability to live the way she would like to live, all of this stemming from her depression. She doesn't understand why she can't pull out of it. Over time she develops a feeling of shame and guilt towards her husband and her children." Actress
portrays Elise at fifteen.
as Anna. Kruger described Anna as "the most complete of all the characters. She never makes any compromises, in any one of her lives. She gets married and keeps her promise until the end: she will not fall in love with anyone else." Actress
was originally reported for the role, but the casting was not confirmed. Actress
portrays Anna at fifteen.
as Jeanne. Pham said that Jeanne "loves Nemo Nobody with a passion but he doesn't love her. Their meeting was a misunderstanding. She thought he was honest and full of love for her. But as soon as they start a family she realizes that something is missing in their relationship, that he's never really there. It also shows that lives that seem perfect on paper might not be so perfect in reality." Actress
portrays Jeanne at fifteen.
as Nemo's father. Van Dormael chose Ifans after seeing his "multifaceted" performances in
(1999) and
as Nemo's mother. Little was suggested by the casting director in London. Van Dormael said that "her role was decisive for the film: it was necessary that the mother should destroy the childhood happiness but that one would feel the need to go with her at the same time. That's what Natasha managed to achieve."
as Dr. Feldheim.
as Stefano, both 22 and 40 year-old, Elise's boyfriend.
as Harry, Anna's father.
as Young journalist.
as Gay Man.
makes a cameo appearance as the
Belgian director
began seeking to film Mr. Nobody in 2001, an attempt that lasted six years before the director was able to make his English-language feature debut in 2007. Van Dormael's project differed from other Belgian productions in being filmed in English instead of in one of Belgium's main languages. The director explained, "The story came to me in English. It's a story set over very long distances and time frames. One of the strands of the plot is about a kid who must choose between living with his mother in Canada or his father in England. There are also some incredible English-speaking actors I wanted to work with." Mr. Nobody is Van Dormael's first feature film since the Belgian film
(The Eighth Day) in 1996. Van Dormael began preparing production of Mr. Nobody in February 2007 with actress
the first to be cast in the film. Actor
was later cast into the primary role of Nemo Nobody.
The production budget for Mr. Nobody was EUR33 million (US$47 million), ranking it the most expensive Belgian film to date. The budget was approved before casting was done, based on the prominence of the director's name and the strength of his script. Half of the budget was provided by the film's French producer
through his production company , and the other half was financed by distributors
and . Production took place throughout 2007, lasting 120 days and filming in Belgium, Germany, and Canada. Scenes were filmed on location in
in , Germany. Van Dormael said, "I think the film needed that for these multiple lives. Each time a new style of setting is required. And each life is filmed in a different style, with a different grammar for the camera, the colours, the decor. At the same time, if all the styles have to be very contrasted, they knock together by fusing." The three lives that Nemo Nobody experiences were separated by color-coding and musical cues. Each life's design was also based on the work of British photographer .
The idea of parallel lives has been explored before in films such as
(1998) and
(1998) which influenced Van Dormael's writing. Unlike any of those, Mr. Nobody has philosophical underpinning inspired by scientific tomes on
and the , , and the . Van Dormael stated, "My starting point was a 12-minute short I made in 1982 called . A kid runs behind a train with two possible choices: to go with his mother or with his father. From there we follow two possible futures. I started one version based on the fact that a woman jumps or doesn't jump on a train. Then Sliding Doors by
came out, followed by Run Lola Run by . I had to find something else. And that's when I realised that the story I was trying to tell was not binary, that I was above all interested by the multiplicity and complexity of choices. With this screenplay I wanted to make the viewer feel the abyss that is the infinity of possibilities. Beyond this, I wanted to find a different way of telling a story. I wanted the gaze of the child on his future to meet the gaze of the old man he has become on his past. I wanted to talk about complexity through cinema, which is a simplifying medium. While reality around us is more and more complex, the information is more and more succinct, political speeches are more and more simplistic. What interests me is complexity. Not the simple answers, which are reassuring but bound to be false."
While producing the film, Van Dormael took the unique step of publishing his screenplay. The director described the scale of the film, "My producers don't like me saying it, but it's really a big-budget experimental film about the many different lives one person can live, depending on the choices he makes. It's about the infinite possibilities facing any person. There are no good or bad choices in life. It's simply that each choice will create another life for you. What's interesting is to be alive."
Jaco Van Dormael hired
Louis Morin, known for his work in
(2004), to create visual effects for Mr. Nobody. All five hundred visual effects shots were produced in
by Quebec companies.
announced having delivered 121 digital visual effects shots for the film. The company was entrusted with complex sequences which could not be captured on film, involving the digital reproduction of entire cities, villages and other-worldly settings. Modus FX also worked on several complex transitions between the different worlds and multiple lives of Nemo Nobody. Modus FX's post-production contributions involved 37 digital artists and technicians across a six-month period. A long list of software, including 's
and , Side Effects'
and The Foundry's , and the creation of a multitude of in-house tools, programs and techniques was required for the shots delivered.
Main article:
Like Jaco Van Dormael's previous films, the score for Mr. Nobody was written by . He worked on simple themes and out of synch loops, "a mixture of superficial simplicity and underlying complexity." He wrote themes that overlapped to form new ones, each theme continuing to exist while being mixed with the others. The director did not want the music to be overtly emotional, so he and Pierre chose a minimalist orchestration, more often than not just a single guitar. Jaco said, "We wanted the instrument and the player to be felt. This stance actually sums up the whole adventure: a maximalist project with a minimalist approach." Mr. Nobody is the last film of composer Pierre Van Dormael before his death in 2008. His music won the
The soundtrack features songs by Pierre Van Dormael, , , , , , , , , and , as well as versions of "" performed by , , , and , and recordings of compositions by
and , among others.
Nemo's possible future wives: Jeanne, Elise and Anna
Mr. Nobody is a tale about choice. Nemo, a nine-year-old boy, has been thrust into a position where he must make an impossible decision – to choose between his mother and father. In the seconds preceding the rest of his life, he wonders where each choice will take him. The forces of the universe working to bring about total chaos are counteracted by this boy's overactive imagination. The dilemma that causes the film's main problem (not knowing the future) once solved makes it all the more difficult – "I don't know the future, therefore I cannot make a decision. Now that I know the future I still cannot make one." The eloquent interplay between philosophical lifestyle and what forges reality, is epitomized by the constant change in storyline, between young boy, adolescent man, and mature man. The film takes a four-dimensionalists view of the nature and existence of life in the universe. Each decision thus branching off creating an entirely separate alternative universe. Mr. Nobody raises many ontological arguments about the subjective . How actions have universal consequences, how the past inevitably shapes the future in a very impacting way – every single choice, no matter its simplicity or complexity can make, alter or change a lifetime.
The film also makes substantial use of , , and the
to accentuate the lack of control that humanity as individuals possesses. Often at each stage of his life there is a scene where Nemo is subject to the whims of chance, often plunging into water, a place where humans lack all control. This is a visual symbol of the powerlessness attributed to the human condition. The theories are used to compound reality in the film, it is why the smoke never goes back into the cigarette, time is always moving in one direction. At the end when it assumes that the universe is on the precipice of ultimate chaos, making use of the
theory, time halts, and it begins to reverse. Thus signalling the absolute freedom Nemo had been seeking – being able to live a life without choice, for while you never choose all things remain possible. The tale of Nemo Nobody reflects a life of choices, whether or not we made the correct choice and what would happen if we could go back and change them. In the reveal Mr. Nobody age 118 states that it doesn't matter what we choose, because each choice, once made has just as much significance as any alternate choice. The film portrays a life where we are all subject to chance, to the dimensions by which we construct our reality (height, length, width and time), and to the imagination of our former selves. And once the boy Nemo knows the outcomes of either choice, he instinctively opts for another.
The different colors used in the film have symbolic meanings. Each of the three main storylines has its own unique hue that highlights their originality and unlikeness to each other. Color differentiation can be traced as far back as Nemo's childhood, where three girls sit on a bench. They are his possible future wives: Jeanne, Elise, and A one in yellow, the other in blue, and the third in a red dress. In his life with Elise, Nemo experiences the consequences of depression and despair, themes associated with the color blue. Choosing Jeanne, Nemo seeks material well-being and independence: yellow – the color of life and wealth – emphasizes this. The true love and passionate relationship between Nemo and Anna is symbolized by the red color of Anna's dress. It is noteworthy that the unborn Nemo is shown living in a white world. White contains all colors of
this supports the allegorical message of the film that all things are possible until a choice is made. By the end of his life, Nemo is a decrepit old man and lives in a white surrounding (room, clothes, doctor). This way we can see that the fate of the protagonist leads him back to the origins from where he started, the point at which everything is possible.
Jaco Van Dormael and the crew at the
An earlier, longer, work-in-progress version of the film was rejected for competition by the , which offered that cut of Mr. Nobody an out-of-competition berth. Producer
turned that down. The decision by the Cannes Film Festival not to exhibit the film created a national controversy. Eventually, the studio held the film's world premiere at the
on 12 September 2009. Six days later, Mr. Nobody screened as a special presentation during the . Additionally, the film was screened at the
before its theatrical release. Mr. Nobody had its American premiere on 25 June 2011, at the , nearly two years since its original debut. It was among more than 200 feature films, short projects, and , from more than 30 countries, to be shown at the festival. The Consul General of Belgium, Geert Criel, held a second United States screening of Mr. Nobody on 21 December 2011, at the Aero Theatre in .
Mr. Nobody initially opened in 36 theaters in Belgium in its opening weekend and grossed
$227,917, placing fourth and posting a per-theater average of $6,331. Over the second weekend, the film dropped 21.9% in revenue, earning $178,098. Grossing nearly $1 million, it became one of the ten highest-grossing 2010 films in Belgium. The film was released in France on 13 January 2010, opening in 150 theaters and had a disappointing opening weekend due to the mixed response from French critics. It finished eighth on its first weekend of release earning $640,517, and by its second weekend of release had dropped to the bottom of the top ten with a total of $1,051,211.
released the film in the United States in select theaters on 1 November 2013.
Mr. Nobody was released on
in France on 21 July 2010, through , in two formats: a single-disc wide-screen version which special features include a trailer, making-of and a two-disc wide-screen special edition. The latter contains the director's cut of the film which has 1 re-cut, 23 extended scenes and 12 additional scenes integrated into the original footage, running about 16 minutes longer than the theatrical version. The
Dutch release includes new specials features: interactive menu, scene access, a making-of, a behind the scenes, deleted scenes and a photo gallery. On 11 January 2011, it was released in Canada through
on DVD and Blu-ray Disc, with a making-of , behind the scenes footage and deleted scenes.
released Mr. Nobody to the British market on DVD and Blu-ray Disc on 12 September 2011, with few special features. It contains a making-of with Leto interview and a trailer of the film.
Director Jaco Van Dormael along with actors Sarah Polley, Jared Leto, Linh Dan Pham, and Diane Kruger at the
Upon its premiere at the , Mr. Nobody was positively received with a ten-minute
from the audience. The film garnered a 64% approval rating from 28 critics—a
rating of 6.6 out of 10—on the
website , with its consensus saying, "Mr. Nobodys narrative tangles may bedevil as much as they entertain, but its big ambitions and absorbing visuals make for an intriguing addition to director Jaco Van Dormael's filmography." At , which assigns a
out of 100 to reviews from mainstream critics, the film received a score of 63, based on 10 critics, indicating "generally favorable reviews".
Jennie Punter of
praised the film, stating "Van Dormael holds this fractured fairy tale together by giving it an emotional core and delivers two hours of time travel with a playful spirit and at a mostly hyperkinetic pace, sprinkling it with amusing side journeys and sometimes letting a scene unfold at a more natural tempo." Bruce Kirkland of
gave the film four stars out of five and wrote, "Expect the unexpected. Try to answer the unanswerable question that writer-director Van Dormael poses. It is a worthwhile exercise." He also described Leto's acting as a "marvelously full-blooded, brain-spinning, tour-de-force performance." Ken Eisner from
summarized the film as "a dazzling feat of philosophical fancy, and it attempts nothing less than the summing up of an entire life, and an epoch or two, with its free-spinning take on recent human history as projected into possible futures."
Niels Matthijs, writing for , stated that "It's astounding how van Dormael turns each scene into a unique little cinematic event. There is hardly filler here, no scenes to drag out the running time or to fill some gaps in between other climaxes. Every scene matters and every scene is made to look like it matters. The director uses all means to his disposal to keep the viewer engaged and interested in the life of the main protagonist, Nemo Nobody." Fred Topel, writing for , praised the film's artistry, saying "All of Nemo's lives are painful. No matter what he chooses, he experiences heartbreak, death of loved ones, his own death, and clinical depression. My future seems brighter, but the film makes the strong point that every experience is worthwhile. The goal isn't to choose the easiest path. It's to live." Chris Holt from
magazine wrote that "Mr. Nobody is a film that is remarkable by its very existence and that in itself is something to be happy about. You may love it you may hate it, but you can bet that you will never forget it." 's Robert Bell called the film "a powerful movie about what it means to be alive."
Boyd van Hoeij of
magazine was more critical, writing "Though a lot of it is well written and directed and, quite often, funny or poignant, the individual scenes rarely become part of a larger whole." He praises Leto's acting, stating "The closest the film comes to having a gravitational center are in the scenes set in 2092. What makes them soar is not the imaginative staging of the future, but Leto's performance. His acting talent really comes into full view in his scenes as the last dying man on Earth." He also praised Regbo and Temple, saying "Regbo, as the teenage Nemo, and Juno Temple, as the teenage Anna, are impressive, bringing the hormonal battles of adolescence vividly to life." Film critic Eric Lavallée listed Regbo as one of his "Top 10 New Faces & Voices" of . He notes that "newbie Toby Regbo might easily be Mr. Nobody's most "alive" character. Playing Nemo at age 16, the actor is mostly paired with Juno Temple – their unique love story is the film's heart pumping portions and plays a lot better than the artery clogging other brushes of romance."
, a French cinema website, gave the film an average of three out of five stars, based on a survey of 24 reviews. Xavier Leherpeur from
described it as "a fiction of sterile ramifications, weighed down by a script the labyrinthine constructions of which poorly conceal the poverty of inspiration". Pierre Fornerod from
wrote that "Van Dormael plays with chance and coincidence. The demonstration is long and heavy, but aesthetically, is superb."
Main article:
Mr. Nobody was nominated for and won multiple awards from numerous film organizations and festivals. It was nominated for seven
and was awarded six at the : ,
for . Emmanuel de Boissieu, Frédéric Demolder and Dominique Warnier lost the award for
to . In addition, the film was named Best Film of 2010 by the
winning the , and was awarded Best Film at the . It also received the
at the , and won the Audience Award at the .
was awarded the
and the film received the Biografilm Lancia Award. It was also nominated for the
but lost to .
was nominated for the . Christophe Beaucarne received Best Cinematography at the
and Kaatje Van Damme won Best Makeup at the . Mr. Nobody has appeared on many critics top ten lists of 2010 and is frequently considered to be one of the greatest films of the year. Kurt Halfyard, a film critic for , listed Van Dormael's film among the best science fiction films of the 21st century. The
listed Mr. Nobody as one of the best European films of 2010.
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