求dota no mercy 背景音乐 http:///v_show/id_XMjQ4MzYxMzMy.html_百度知道
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求dota no mercy 背景音乐 http:///v_show/id_XMjQ4MzYxMzMy.html
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依次是donots callingshould`ve known bettertears don't fall
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3.tears don't fall
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不良信息举报电话:这个视频没有字幕能帮我列出来吗？？ 感谢！！！！！！http:///v_show/id_XMzAwNDQ1ODc2.html_百度知道
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这个视频没有字幕能帮我列出来吗？？ 感谢！！！！！！http:///v_show/id_XMzAwNDQ1ODc2.html
最好是中英文的~不行的话弄其中一种语言也可以
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is stone:58,624 --& 01:56:50,783The entire buildingis <,904 -->:56:34; 01,455&i>, sir.174401;173301:55,464 -->.& 01:49,344 --& 01:55;173801:55:46,740<:25,664 --& 01:55,699&i&i&on ''/i&Understanding Poetry. '':42,264 --& 01:56.174301:55:56:31; 01:04,375[ Chuckles Softly ]173401:56:04.175401:56:52,302- Uh, in the, in the Prit--&i>:56:04:56:14.173201:54,264 --&/i>:56:29:56:34;i&gramen&/:25,464 --& 01:56; 01:56:31:44,778<:22,814<:49,984<:55:34,<,576What is poetry:52,453<:55:17..:54:40开始英文01:36,384 --& 01:55;/i&i&&i>:46,824 --& 01:54;i&- [ Knocking ]&/!174901:56; 01;i&Mr Cameron.174601:56:54:40, then:47,095Mr Anderson:12,377A175601:56:45,184 --& 01:55,378We covered the romantics and some of thechapters on post-Civil War literature.174501.<:31,015I'173501:55,014Should I come backafter class?175201;<:00,455We 175501:56:44,624 --& 01:54,464 -->:27,814Sll be teaching thisclass through exams.173701:55,944 --& 01:55:40,457Who will tell me where you arein the P 01:56:38,104 -->:02,464 --& 01:55; 01:56:42;i&- Ct hear you, Mr A/i>:19,424 --& 01:56:54:44.173601:55:50,064 --& 01:56:52,384 --& 01:55;/i&174101:55;<,504 -->,104 -->?173901:55,537[ McAllister ]Grass is &/i&[ Door Opens, Closes ]<:55,854[ Stammering ]In the, in the, in the Pritchard--174201:55:56:36;i& or &i>,172Gentlemen, turn to page 2 1of the introduction:44,864 --& 01:56;i&aedificium:09,704 --& 01:56:56:09;173101:54:55:22:56:00;herba:29,173Excuse me:56:17;/i>.<,864 -->.&by Dr Pritchard,095Get them now,778I came for my personals.175101.[ Closes Door ]175001;/i>,618- What about the realists?- We skipped most of that, sir,544 --& 01;We'll find a permanent English teacher&i&Lapis<:58,538Kindly inform me,Mr Cameron.& 01;i&read aloud the excellent essay&//i>?174801:56?174001:55:29,024 --& 01:55,we'll start over.174701:55:31;i&/i>是从01;- I can',Mr Keating.175301,384 --&175701:56:54,104 --& 01:56:56,174That page has beenripped out, sir.175801:56:56,264 --& 01:56:58,459Well, borrowsomebody else's book.175901:56:58,544 --& 01:57:00,455They're all ripped out, sir.176001:57:00,544 --& 01:57:03,775&i&[ Nolan Chuckling ] What do you mean,&/i&&i&''They're all ripped out''?&/i&176101:57:03,864 --& 01:57:07,140- Sir, we-- Ac--&i&- [ Nolan ] Never mind.&/i&176201:57:10,584 --& 01:57:12,461[ Slaps Book ]Read.176301:57:15,584 --& 01:57:19,702&i&[ Cameron ] '''Understanding Poetry'&/i&&i&by DrJ. Evans Pritchard, Ph.D.&/i&176401:57:19,784 --& 01:57:21,775&i&''To fully understand poetry,&/i&&i&we must first be fluent...&/i&176501:57:21,864 --& 01:57:24,332&i&''with its metre, rhyme&/i&&i&and figures of speech.&/i&176601:57:24,424 --& 01:57:26,255''Then ask two questions.One:176701:57:26,344 --& 01:57:29,734''How artfully has the objectiveof the poem been rendered?176801:57:29,824 --& 01:57:31,940''And, two:176901:57:32,024 --& 01:57:35,539''How importantis that objective?177001:57:35,624 --& 01:57:37,137''Question onerates the poem's perfection.177101:57:37,224 --& 01:57:39,055''Question two rates its importance.177201:57:39,144 --& 01:57:40,975&i&'And once these questions&/i&&i&have been answered,&/i&177301:57:41,064 --& 01:57:44,500&i&''determining a poem's greatness&/i&&i&becomes a relatively simple matter.&/i&177401:57:44,584 --& 01:57:47,542If the poem's score for perfection isplotted on the horizontal of a graph--''177501:57:47,624 --& 01:57:49,819- Mr Keating!They made everybody sign it.- Quiet, Mr Anderson!177601:57:49,904 --& 01:57:52,259&i&- You've got to believe me. It's true.&/i&- I do believe you, Todd.177701:57:52,344 --& 01:57:54,255- Leave, Mr Keating.&i&- But it wasn't his fault!&/i&177801:57:54,344 --& 01:57:57,939Sit down, Mr Anderson! One moreoutburst from you or anyone else,177901:57:58,024 --& 01:57:59,855&i&and you're out&/i&&i&of this school!&/i&178001:57:59,944 --& 01:58:01,775&i&Leave, Mr Keating.&/i&178101:58:03,224 --& 01:58:06,375I said, ''Leave, Mr Keating.''178201:58:20,944 --& 01:58:25,256- O Captain, my Captain.- &i&[ Nolan ] Sit down, Mr Anderson.&/i&178301:58:27,144 --& 01:58:29,533Do you hear me?Sit down!178401:58:29,624 --& 01:58:32,218&i&Sit down!&/i&178501:58:33,704 --& 01:58:37,094&i&This is your final warning,&/i&&i&Anderson.&/i&178601:58:37,184 --& 01:58:41,257&i&How dare you.&/i&&i&Do you hear me?&/i&178701:58:41,344 --& 01:58:43,699O Captain, my Captain.178801:58:45,064 --& 01:58:46,463Mr Overstreet, I warn you!178901:58:46,544 --& 01:58:48,455&i&Sit down!&/i&179001:58:50,624 --& 01:58:52,933&i&Sit down!&/i&179101:58:53,024 --& 01:58:56,460Sit down! All of you!I want you seated!179201:58:56,544 --& 01:58:59,502&i&Sit down!&/i&&i&Leave, Mr Keating.&/i&179301:59:07,584 --& 01:59:10,098All of you, down!I want you seated!179401:59:10,184 --& 01:59:13,859&i&Do you hear me?&/i&179501:59:17,424 --& 01:59:20,416Sit down!179601:59:58,864 --& 02:00:01,856Thank you, boys.179702:00:01,944 --& 02:00:04,333Thank you.179802:00:19,704 --& 02:00:24,494&i&### [ Bagpipes ]&/i&中文01:54:40,388 --& 01:54:43,584草是“GRAMEN”或“HERBA”177701:54:44,772 --& 01:54:46,233“LAPIS”是石头177801:54:47,044 --& 01:54:50,339整栋建筑物是“AEDIFICIUM”177901:55:25,641 --& 01:55:26,273坐178001:55:28,873 --& 01:55:30,498这堂课由我教到学期终了178101:55:31,049 --& 01:55:33,918我们会在假期中找到一位永久的英文教师178201:55:36,362 --& 01:55:38,783谁告诉我，你们普利察那本教科书上到哪里？178301:55:45,611 --& 01:55:46,559安德森先生178401:55:49,036 --& 01:55:50,443在普利…178501:55:50,508 --& 01:55:52,101我听不见，安德森先生178601:55:52,332 --& 01:55:54,241在普利察课本里178701:55:55,117 --& 01:55:56,775请告诉我，卡麦隆先生178801:55:58,573 --& 01:55:59,817我们多半是跳着上的178901:55:59,886 --& 01:56:03,847我们上过浪漫主义和一些内战后文学的章节179001:56:04,493 --& 01:56:05,737现实主义呢？179101:56:06,702 --& 01:56:09,091我想多半都没上到179201:56:10,254 --& 01:56:11,683好，那我们从头来179301:56:15,151 --& 01:56:16,711什么是诗？179401:56:21,136 --& 01:56:22,183进来179501:56:25,360 --& 01:56:26,221对不起179601:56:29,073 --& 01:56:30,982我来拿私人物品179701:56:32,145 --& 01:56:33,519我该下课后过来吗？179801:56:34,001 --& 01:56:35,430现在就拿，基廷先生179901:56:38,738 --& 01:56:41,455各位，翻到序言21页180001:56:43,314 --& 01:56:44,262卡麦隆先生180101:56:45,363 --& 01:56:51,593大声念出普利察博士所著“了解诗”这篇出色的短论180201:56:54,004 --& 01:56:55,629那页被撕掉了180301:56:56,436 --& 01:56:57,930那就借别人的书180401:56:58,868 --& 01:56:59,980都被撕掉了180501:57:00,180 --& 01:57:02,002都被撕掉了 ，什么意思？180601:57:03,701 --& 01:57:04,977老师，我们…180701:57:05,974 --& 01:57:06,672算了180801:57:11,094 --& 01:57:12,021念180901:57:15,254 --& 01:57:18,767了解诗，作者普利察博士181001:57:19,511 --& 01:57:20,787为充分了解诗181101:57:20,855 --& 01:57:24,368首先语法在韵律、押韵和修饰上必须流畅181201:57:24,439 --& 01:57:25,715然后问两个问题181301:57:26,328 --& 01:57:29,230一，诗篇的目的表现得多么技巧？181401:57:29,336 --& 01:57:34,290二，上述目的有多么重要181501:57:35,449 --& 01:57:37,271问题一评价诗的完美性181601:57:37,337 --& 01:57:38,547问题二评价其重要性181701:57:39,257 --& 01:57:40,718这两个问题得到答案后181801:57:40,794 --& 01:57:43,990决定一首诗伟大与否即将成为一件相当简单的事181901:57:44,314 --& 01:57:47,096如果诗在完美上的分数以座标水平方向表示…182001:57:47,163 --& 01:57:49,334基廷先生，他们逼大家签字安静点，安德森先生182101:57:49,402 --& 01:57:50,646请你一定要相信我182201:57:50,714 --& 01:57:51,761我相信你，陶德182301:57:51,835 --& 01:57:52,849离开，基廷先生182401:57:52,923 --& 01:57:53,784可是不是他的错182501:57:53,851 --& 01:57:54,778坐下，安德森先生182601:57:54,844 --& 01:57:57,113你或其他人如果再爆发182701:57:57,179 --& 01:58:00,594你们都将被本校退学离开，基廷先生182801:58:03,325 --& 01:58:05,561我叫你离开，基廷先生182901:58:20,959 --& 01:58:22,071船长！我的船长！183001:58:22,463 --& 01:58:24,535坐下，安德森先生183101:58:26,847 --& 01:58:29,018听到我的话没？坐下183201:58:29,823 --& 01:58:31,579坐下183301:58:33,504 --& 01:58:35,893这是我最后一次警告你安德森183401:58:36,929 --& 01:58:38,358你真大胆183501:58:39,168 --& 01:58:40,694听到我的话没？183601:58:41,442 --& 01:58:43,035船长！我的船长！183701:58:44,706 --& 01:58:47,423奥佛史区先生我警告你，坐下183801:58:50,787 --& 01:58:52,412坐下183901:58:52,707 --& 01:58:55,936你们都坐下，我叫你们坐下184001:58:56,483 --& 01:58:57,497坐下184101:58:57,571 --& 01:58:59,000离开，基廷先生184201:59:06,916 --& 01:59:11,553所有人坐下我叫你们坐下，听见没？184301:59:17,702 --& 01:59:19,458坐下184401:59:58,699 --& 02:00:00,128谢谢你们，同学们184502:00:02,444 --& 02:00:03,785谢谢你们; 01
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Should l come back after class. 我们多半是跳着上的 我们上过浪漫主义和一些 内战后文学的章节 What about the Realists. Pritchard.. 对不起 Excuse me. l came for my personals，作者普利察博士 11Understanding Poetry by Dr. J;re all ripped out! They made everybody sign it. - Quiet, Mr.11 That page has been ripped out, sir？ Get them now. 如果诗在完美上的分数 以座标水平方向表示… lf the poem's score for perfection is plotted on the horizontal of a graph--'. 坐 l'll be teaching this class through exams. 这堂课由我教到学期终了 We'll find a permanent English teacher during the breakGrass is gramen or herba, uh-- - Never mind. 老师，我们… 算了 念 Read! 了解诗. Cameron. 请告诉我，卡麦隆先生 We skipped around a lot, sir, sir. 我想多半都没上到 All right then, in the，他们逼大家签字 安静点? 我来拿私人物品 我该下课后过来吗，你们普利察 那本教科书上到哪里，什么意思？ - Sir, turn to page 21 of the introduction. 各位，翻到序言21页 Mr, we', Mr? 一，诗篇的目的 表现得多么技巧？ 二. 问题一评价诗的完美性 问题二评价其重要性 这两个问题得到答案后 And once these questions have been answered, determining the poem's greatness.、押韵 和修饰上必须流畅 然后问两个问题 Then ask two questions: One.. on 11Understanding Poetry. “LAPIS”是石头 The entire building is aedificium 整栋建筑物是 “AEDIFICIUM” Sit.. 决定一首诗伟大与否 即将成为一件相当简单的事 becomes a relatively simple matter. Anderson. 草是“GRAMEN” 或“HERBA” Lapis is stone, how artfully has the objective of the poem been rendered? 现实主义呢？ l believe we skipped most of that. Keating. 现在就拿，基廷先生 Gentlemen? Kindly inform me. 基廷先生.. 卡麦隆先生 大声念出普利察博士所着 “了解诗”这篇出色的短论 read aloud the excellent essay by Dr. 在普利… - Uh, in the, in the Pr-- - l can'，安德森先生 请你一定要相信我 - You gotta believe me. lt's true. - l do believe you, Todd. 我相信你，陶德 离开，基廷先生 - Leave, Mr. Keating. - But it wasn't his fault! 可是不是他的错 坐下，安德森先生 Sit down, Mr. Anderson! One more outburst from you or anyone else... 你或其他人如果再爆发 你们都将被本校退学 离开，基廷先生 and you're out of this school! Leave, Mr. Keating. l said leave, Mr. Keating. 我叫你离开，基廷先生 O Captain, my Captain! 船长！我的船长！ Sit down, Mr. Anderson! 坐下，安德森先生 Do you hear me? Sit down! 听到我的话没？坐下 Sit down! 坐下 这是我最后一次警告你 安德森 This is your final warning, Anderson. 你真大胆 How dare you? 听到我的话没？ Do you hear me? O Captain, my Captain. 船长！我的船长！ 奥佛史区先生 我警告你，坐下 Mr. Overstreet, l warn you! Sit down! Sit down! 坐下 Sit down. All of you. 你们都坐下，我叫你们坐下 l want you seated. Sit down. 坐下 离开，基廷先生 Leave, Mr. Keating. 所有人坐下 我叫你们坐下，听见没？ All of you, down. l want you seated. Do you hear me? 坐下 Sit down! 谢谢你们，同学们 Thank you, boys. Thank you. 谢谢你们 参照《死亡诗社》原剧本. 那就借别人的书 都被撕掉了 - They's perfection. Question two rates its importance, sir. - What do you mean, they're all ripped out? 都被撕掉了. Anderson. how important is that objective? Question one rates the poem'. 为充分了解诗 首先语法在韵律, in the Pritchard, Mr..，上述目的有多么重要 And two. We covered the Romantics and some of the chapters on Post Civil War literature? 谁告诉我;t hear you, Mr. Anderson. 我听不见，安德森先生 在普利察课本里 ln the. Evans Pritchard, Ph.D. To fully understand poetry, we must first be fluent with its meter, rhyme and figures of speech. Cameron., we. 那页被撕掉了 Well, borrow somebody else'll start over. 我们会在假期中找到 一位永久的英文教师 Who will tell me where you are in the Pritchard textbook. 好，那我们从头来 什么是诗？ What is poetry? 进来 C' - Mr. Keating？ 安德森先生 Mr
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等待您来回答【求英文歌词】Mya 的Fugitive of Love，连接http:///v_show/id_XMjYwNzkyMzY0.html_百度知道
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【求英文歌词】Mya 的Fugitive of Love，连接http:///v_show/id_XMjYwNzkyMzY0.html
如果能有中文翻译会加分的，非常感谢
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but to surrender to your love.但是你不给我选择，一直在向极限紧紧逼迫( Chorus ):Can’t fall.我就像你爱的俘虏一样在逃亡.而你一直在，这让你看起来太不真实So I know I’m out the way to make sure所以我知道我已开始在确认You don’t know how I really feel yeah.你不知道我是怎么想的( Pre-Chorus )一遍( Chorus )一遍( Bridge ):Now you can steal it with one tender kiss so heal me with your touch现在你可以偷得一吻，用你的触摸帮我愈合You can mend my broken pieces and won't say that its too much你可以粘合我支离破碎的身心，你不会说你做的太多So even though I'm runnin from your love所以尽管我在逃避你的爱I can't go too far, so knock me off of chains and shackles我不会走太远，我就像你爱的俘虏Fugitive from your love，试图躲藏I Really need to get away but I keep stalling我真的应该远远离开可是我动弹不得And you just keep on，为你的爱我投降了Now that we say that I would never love again现在我们说我不会再爱了I’m dealing with a heart that won’t mend and shut down and eventually hurtin’我的心无法愈合无法关闭始终疼着Until you came around and love the way you do直到你用你的方式来爱You’re wondering why I don’t see 你奇怪我为何不理不睬and why I won’t you let take over me.为何我不让你得到我( Pre-Chorus ):I’m just, I’m just looking for ways 我只是，我只是在寻找To keep from fallin’不会再陷落的方式, I gotta surrender我不可以跌倒，我应该投降Can’t stop falling like the fugitive from your love不能停止, it’s too late 时间快要到了，太迟了I’m caught runnin’ like a fugitive from your love, fugitive from your love:I’ve been runnin’ and hiding for so long 我一直在逃避和躲藏Could it be that I’m scared to give in to something so strong是不是我在害怕向强烈的感情投降？I don’t wanna lose myself, I don’t wanna get caught up我不想失去自我，我不想被紧紧逼迫But you leave me no choice, keep on pushing it closer to the end，爱的俘虏一样。( Verse 2 ):Blame it on countless lies to see this disappointment 这样令人失望的局面应该怪曾经难以计数的谎言Somehow someday I tend to believe that you can’t heal that part of me 不知为何，有天我自己认为你不能帮我愈合Maybe you’re something special making you seem unreal也许是你太特殊. 你爱的俘虏Time’s up I out of breath,我喘不过气( Opener )。You get closer every day but I just run and try to hide你每天都在靠近，可我一直都在逃避
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