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>>>The Internet is not perfect. There are many problems with i..
The Internet is not perfect. There are many problems with it.The Internet is not organized. There is no one in charge of the Internet. It is sometimes difficult to find what you are looking for. It is also easy to get the wrong information on the “Net”.Some businessmen cheat people on the Internet. Internet thieves can steal credit card numbers. Some advertisers send spam to e-mail boxes. E-mail boxes are often filled with these unwanted advertisements.Illegal businesses can operate on the Internet. These businesses sell X-rated materials, cigarettes and alcohol to teenagers.The Internet has websites with information about making bombs, breaking the law and terrorism.Criminals can fool people, especially children, in chat rooms. They can spread poisonous information and attack new members.The Internet is the greatest advance in communication since human emerged. But it can also like a dark alley in a dangerous part of town. Parents need to set parental controls on their children when they use the Internet. This will keep some of the bad material away from their children.The Internet can be dangerous to computers, too. Some people who have evil intentions enjoy causing problems for other people they don’t even know. They create computer viruses. A computer can get virus by downloading a program that has a virus in it. Some virus come by e-mail.A virus can destroy the data a person has saved in computer files. A virus can cause a computer to crash. A virus can also reproduce itself! It can send copies of itself to everyone on a person’s e-mail address list. Then these people’s will have the same problems and can’t work normally!小题1:Why can illegal businesses operate on the Internet?A.Because some people like to buy banned products on the Internet.B.Because there is no one in charge of the Internet.C.Because X-rated materials, cigarettes, alcohol and so on can be sold well on the Internet.D.Because people who operate businesses on the Internet are criminals.小题2:Parental controls are needed when children use the Internet because________A.poisonous information may have a bad effect on children B.children may damage the computersC.the Internet is always unsafe for the childrenD.children can’t use the computers well小题3:We can infer from the passage that the key to solving the problems with the Internet is____________A.to improve the computersB.to find a medicine to kill computer virusesC.to order people not to use the InternetD.to improve people’s moral level(道德水平).
题型:阅读理解难度:中档来源:不详
小题1:B小题2:A小题3:D网络充满了诱惑!父母和老师应该加强对网络的控制!小题1:细节题。根据第二段第一行There is no one in charge of the Internet。小题2:推理题。根据第7段最后一句This will keep some of the bad material away from their children.可以推理出父母要控制孩子上网,因为那些材料对孩子有不好的影响。小题3:推理题。通读全文可知网络的很多问题都是一些道德不好的人搞出来的,要想解决这样的问题根本上要提高人们的道德水平。
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据魔方格专家权威分析,试题“The Internet is not perfect. There are many problems with i..”主要考查你对&&科教类阅读&&等考点的理解。关于这些考点的“档案”如下:
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因为篇幅有限,只列出部分考点,详细请访问。
科教类阅读
科教类阅读的概念:
科教类阅读主要考查考生对书面语篇的整体领悟能力和接受及处理具体信息的能力。试题的取材,密切联系当前我国和世界经济、科技等方面的变化,有关数据的来源真实可信。科教类文章阅读技巧:
一、材料特点:这类文章的总体特点是:科技词汇多,句子结构复杂,理论性强,逻辑严谨。具体说来它有以下几个特点: 1、文章中词汇的意义比较单一、稳定、简明,不带感情色彩,具有单一性和准确性的特点。这类文章通常不会出现文学英语中采用的排比、比喻、夸张等修辞手法,一词多义的现象也不多见。 2、句子结构较复杂,语法分析较困难。为了描述一个客观事物,严密地表达自己的思想,作者经常会使用集多种语法现象于一体的长句。 3、常使用被动语态,尤其是一些惯用被动句式。二、命题特点:科普类阅读的主要命题形式有事实细节题、词义猜测题、推理判断题以及主旨概括题等,其中推理判断题居多。三、应对策略:1、要想做好科普英语阅读理解题,同学们就要注意平时多读科普知识类文章,学习科普知识,积累常见的科普词汇,从根本上提高科普英语的阅读能力。 2、要熟悉科普类文章的结构特点。科普类文章一般由标题(Head line),导语(Introduction),背景(Back ground),主体(Main body)和结尾(End)五部分构成。标题是文章中心思想高度而又精辟的概括,但根据历年的高考情况来看,这类阅读理解材料一般不给标题,而要同学们选择标题。导语一般位于整篇文章的首段。背景交待一个事实的起因。主体则对导语概括的事实进行详细叙述,这一部分命题往往最多,因此,阅读时,同学们要把这部分作为重点。结尾往往也是中心思想的概括,并与导语相呼应,命题者常在此要设计一道推理判断题。  3、在进行推理判断时,同学们一定要以阅读材料所提供的科学事实为依据,同时所得出的结论还应符合基本的科普常识。科普类阅读应试策略:
【命题趋势】阅读理解题主要考查考生对书面语篇的整体领悟能力和接受及处理具体信息的能力。试题的取材,密切联系当前我国和世界经济、科技等方面的变化,有关数据的来源真实可信。因此科普知识类文章是每年的必考题。分析历年的科普类文章我们不难发现以下特点: 1、文章逻辑性强,条理清楚,语法结构简单,用语通俗。 2、文章内容注重科技领域的新发现。内容新颖,从而使文章显得陌生,内容抽象复杂。 3、命题方面注意对具体细节的准确理解和以之为依据的推理判断。 4、以人们的日常行为或饮食健康入手,探讨利弊,诠释过程,阐述概念。【应试对策】许多考生在考试时感到困惑的是:为什么一些没有超越中学语法和词汇范围的篇章,读起来却不能正确理解,或者要花费很多时间才能读懂呢?这种现象的产生与阅读方法有很大的关系。例如,有的考生在考试时一见到文章就立刻开始读,结果读了半天,还不知道短文讲的是什么,试题要求了些什么,结果浪费了大量的时间,而阅读效果并不好。那么,怎样读效果才好呢?任何一种阅读方法或技巧的使用,都是由篇章特点和试题本身的要求决定的,应根据不同的体裁和试题要求采取不同的策略。 1、浏览。浏览的主要目的就是确定文章的体裁。如果文章属于人物传记、记叙文、故事、科普小品和有关社会文化、文史知识的文章,一般来说,应该先看看文章的试题考查内容,对题目类型做到心中有数,针对不同问题,在通读时有粗有细地去阅读,这样不仅能把握篇章的基本结构和逻辑线索,也能做好有关具体事实信息考查的试题。 2、挖掘寓意,掌握中心思想,推出结论。任何文章,作者在行文时都有一定的写作目的和主要话题。在通读篇章时应该吃透作者的写作意图,抓住文章的主题句,充分发挥自己的想象力和概括力,作出对中心思想的归纳和结论的推断。 3、把握篇章结构,利用上下文进行推测。高考中的阅读理解篇章往往是一个较完整的短文,其结构、思想,前后上下连贯统一。考试时应充分利用这一特点推测一些生词、短语在句中的含义,切莫盲目孤立猜测。 4、综观全篇,前后呼应。这是阅读理解的最后一步,在做完阅读理解题后,要立足于文章整体,再迅速读一遍短文,短文中的问题和答案的设置前后都是相关联的,有着一定的连续性,体现着文章的基本脉络。
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344483442060173066423089174122193039Ah,there is a big(h ).Do you like it?No,no.I (h ) fast food._百度知道
Ah,there is a big(h ).Do you like it?No,no.I (h ) fast food.
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A:Ah,there is a big h(amburger).Do you like it?B:No,no.I h(ate) fast food.希望能帮到你!
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出门在外也不愁There Is No That
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Note from Chase: a friend sent me the article below. I didn’t even finish reading it before I emailed the author to ask to republish it here on The Sparkline. Myke Cole, the author, he knows what the work is. Enjoy.
It’s 2013 on a Sat-urday night, and I’m alone in my apart-ment, in front of my laptop.
I can’t shake the feeling that there’s some amazing party, filled with fas-ci-nating people, some-where nearby. Artists and intel-lec-tuals and adven-turers, all mixing and charging the air with sto-ries. I wasn’t invited.
It’s a familiar feeling, one that took root in ado-les-cence and never left me. These are the wages of growing up a nerd. I fig-ured it out for the most part, but there’s always the lin-gering tracery of social anx-iety, echoes of years spent strug-gling to make friends, to date, to find a rhythm in a world that seemed built to embrace others.
Even now, I spend my life with one foot rooted in two very dif-ferent social cir-cles (the gen-er-ally con-ser-v-a-tive realm of military/law enforce-ment, and the relent-lessly mav-erick cul-ture of spec-u-la-tive fic-tion), and rarely feel fully at ease in either.
I think it’s that feeling that, at least in part, drove me to write. My sub-con-scious con-jured an image of a fab-u-lous party, filled with other writers and pub-lishing types. A place where I could walk in the door to a chorus of cheers, the “Norm” moment, where guard could be let down com-pletely, where there was only shared vocab-u-lary and a fluid ease that would make the jit-ters go away. There was a social circle that would be the payout for all the rejec-tion and worry and sweat equity I poured into my books. When I talked about it with my brother, I simply described it as “that.” I wanted to have “that.”
All I had to do was get a book deal. I would break out of the world I knew and set up in some secret corner of the social fabric, a back-stage pass to the world of writers that I just *knew* was out there, even though I had never seen it before.
Rereading this, it’s ridicu-lous, embar-rassing even. But it’s true. Some part of me believed it, and I’m grateful it did, because it was a pow-erful moti-vator to lock on and put down the blood needed to get where I wanted to go.
I have a friend, a former Navy SEAL who later par-layed his sin-gular fear-less-ness into a social life the likes of which would make Hugh Hefner blush. Once I became a pro writer and moved to New York City, he railed at me to join the party. He held up the fic-tional char-acter of Hank Moody as his vision of the writing life, was so dis-ap-pointed that wasn’t what I was doing.
But by then, I was already learning the truth.
There is no party. Not beyond the hour or two at a con or pub-lishing event where you get to show off for a shining moment, bask in the acco-lades for a few min-utes, fan boy gush face to face over someone whose work you admire but never hoped to meet.
And then it’s over, and you’re left with the work.
I met the other pro writers. I met the actors and pub-lishing pros and poets and painters and new media pio-neers. I got to see their secret faces, the ones I knew they didn’t show the audi-ences at panels and during inter-views. They looked pretty much the same. Pretty much like mine.
They were busy people, raising chil-dren and keeping their home fires burning. They were working and wor-rying and trying to build a career. The inter-na-tional book tours that looked so glam-orous were exhausting treks where they lived on unhealthy restau-rant food, got entirely too little sleep and missed their fam-i-lies like crazy.
And there was always the work, hov-ering over their head like the sword of Damo-cles. The relent-less feeling that no matter what it was you were doing, if it wasn’t writing, then it was slacking.
In the end, I was the same person. I had books to write, I had pro-mo-tion to do, but nothing else had really changed. I came to slowly realize that the reward for the work was the work itself, the knowl-edge that it’s a thing well done, a thing that is hard to do. A thing you wanted and strived for and made happen.
I wish someone had said that to the younger me, the aspiring pro, warned him that the mag-ical world of the artist that he’d been pic-turing wasn’t real. I wish someone had told me that it was the work, that the highs would be brief and bright and over, and then it was the grind.
I wish they had told me, because there will be times when the grind itself must be the thing that drives you. You have to love the effort divorced from the result. It’s a tough con-cept to wrap your head around, but you need to.
The magical world of the artist isn’t real… it’s just work. Make it Good.
I struggle to do it all the time, but when I manage it, it sees me through the inevitable stretches where inspi-ra-tion is faint and dis-tant, where there is nothing to be done but do your time at the key-board. I’ve often said that “I hate writing, I love having written,” but the truth is that I’m starting to move past it. Not always, but in fits and starts. There are moments when I’ll be head down in a story and come up for air only the realize that for once I wasn’t thinking about what other people would think of it, I was lost in trying to make it perfect.
And that’s sublime.
Because writing is your job, and this job has a night shift, and a weekend shift. It’s mer-ci-less, and your boss is a tyrant. Your cus-tomers are fickle, demanding. If you let them down, they will eat you alive.
I wish someone had told me, so now I’m telling you.
It’s the work. That’s all there is. There is no That. The party you imagine is hap-pening. It’s full of gor-geous and fas-ci-nating people.
But it’s not the artists. Not the ones who are changing the world with what they create. They’re busy. They’re tucking in their kids, they’re taking the clean dishes out of the washer and stacking them neatly in the cab-inet. They’re putting the mail on the counter with a sticky note reminding them to take it to the post office tomorrow.
And then they’re tip-toeing into their offices and firing up their lap-tops, or heading into their studio and con-fronting the canvas. It’s Sat-urday night and it’s late.
And they’re working.
You have to learn to love the effort divorced from the result.
Myke Cole is a writer… he’s also worked in Coun-tert-er-rorism, Cyber War-fare and Fed-eral Law Enforce-ment, but let’s stick to the writing. His latest fiction series, , is like “Black Hawk Down” meets the “X-Men.”
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No matter who you are you’ve been stuck. In fact, we’ve noticed there are a few stages where lots of people building websites and businesses get stuck.
In this episode we address each of those stages with some advice on next steps for each. Enjoy!

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