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世界制琴名师一览表
世界制琴名师一览表按abc字母顺序排列，供各位查询参考。更欢迎大家不断补充和更新。
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Achner, Philipp
Aine, D. Nicolas
Aine, D.Nicholas
Albanelli,
Albanelli, Franco
Albani, Guiseppe
Albani, Mathias
Albani, Matteo
Albani, Paolo
Albert, Charles F.
Albert, J.
Albert, John
Alberto, Guerra
Aldric, Jean Francois
Alf, Gregg T.
Allen, Joseph S.
Allison, John L.
Altavilla, Armando
Alvani, Gaetano
Amati II, Girolamo
Amati II, Hieronymus
Amati, Antonio & Girolamo
Amati, Antonius and Hieronymus
Amati, Dominique Nicolo
Amati, Nicolo
Amighetti, Claudio
Anastasio, Vincenzo
Angerer, Franz
Anselmo, Curletto
Antoniazzi, Riccardo
Antoniazzi, Romeo
Apparut, G.
Apparut, Georges
Appignano, F.M.
Arcangeli, Ulderico
Ardern, Job
Atkinson, William
Audinot, Nestor
Audinot, Victor
Azzola, Luigi
Badarello, C.
Badarello, Carlo
Bailly, Charles
Bailly, Jenny
Bailly, P.
Bailly, Paul
Bailly, Rene
Baker, Calvin
Balazs, Istvan
Baldantoni, Giuseppe
Baldoni, Dante
Balestrieri, Tommaso
Banks, Benjamin
Banks, James & Henry
Barbieri, Bruno
Barbieri, Enzo
Barnabetti, Geronimo
Baroni, Guisippi Giovanni
Barrett, John
Barton, George
Barzoni, Francois
Bassot, Joseph
Battista, Giovanni
Battista, Panizzi Giovanni
Bauer, Adolf
Bauer, Jean
Becker, Carl
Bedocchi, Mario
Beebe, E. W.
Bela, Szepessy
Bellafontana, Lorenzo
Bellarosa, Vittorio
Bentin, Henry
Bergen, Sverre Hansen
Berger, Karl August
Berger, Karl Auguste
Bergonzi, Carlo
Bergonzi, Michelangelo
Bergonzi, Nicola
Bernardel, Auguste Sebastien
Bernardel, Auguste Sebastien Philippe
Bernardel, Gustave
Bernardel, Leon
Berne, Jean Werro
Bertelli, Luigi
Betts, John
Beuscher, Paul
Beyer, Hermann
Bianchi, Nicolo
Bignami, Otello
Bini, Luciano
Bird, Richmond Henry
Bisiach, Carlo
Bisiach, Giacomo & Leandro
Bisiach, L.
Bisiach, Leandro
Bisiach, Workshop
Bisis, Carlo
Blanchard, Paul
Blanchard, Paul Francois
Blanchi, Albert
Blanchi, Albertus Aloysius
Blondelet, Emile
Blondelet, H. Emile
Blondelet, Hugues-Emile
Bocek, Frant
Bocquay, Jacques
Bodor, John
Bolzano, Albani
Bondanelli, Chiarissimo
Bonnel, Emile
Booth, William
Borghi, Petro
Boulangeot, Emile
Boullangier, Charles
Bowler, Arthur
Brandner, Johann
Braund, F.T.
Braund, Frederick T.
Briggs, James William
Brown, James
Bruet, Nicholas
Bruneau, Simon
Bruno, Carlo Colombo
Bryant, George
Bubenik, Johann
Bucci, Mariano
Buchstetter, Gabriel David
Buckley, Frederick J.
Buckman, George Hatton
Buthod, Charles
Buthod, Charles Louis
Buthod, Luthier
Butler, Ava Lucile
Calace, Giuseppe
Calace, Raffele
Calcanius, Bernardus
Calvaleri, Joseph
Camille, Jules
Camilli, C.
Camilli, Camillo
Camilli, Camillus
Candi, Cesare
Canto, Giustino Dal
Capela, A.
Capela, Antonio
Capela, Domingos F.
Capellini, Virgilio
Capicchioni, Marino
Cappa, Gioffredo
Cappelli, Aldo
Carcassi, Lorenzo
Carcassi, Lorenzo & Tomaso
Carcassi, Vincenzo
Cardi, Luigi
Caressa & Francais,
Caressa, Albert
Carletti, Carlo
Carletti, Orfeo
Carlisle, James R.
Carloni, Assunto
Casini, Lapo
Castagneri, Andrea
Castagnino, Giuseppe
Castagnino, Guiseppe
Castello, Paolo
Caussin, F. N.
Caussin, Francois
Cavalazzi, Antonio
Cavalli, Aristide
Cavani, Giovanni
Cavani, Vincenzo
Cayford, Frederick
Celanius, Constantinus
Cellini, Marcello Di Santo
Celonatus, Francesco
Cermak, Josef Antonin
Ceruti, Enrico
Ceruti, Giovanni Battista
Ceruti, J. B.
Chanot II, Georges
Chanot, F. W.F.
Chanot, Frederick William
Chanot, G.
Chanot, George
Chanot, Georges
Chanot, Georges Adolphe
Chappuy, N. A.
Chappuy, Nicholas
Chappuy, Nicolas
Chappuy, Nicolas Augustin
Chardon, Joseph Marie
Chenantais & Le Lyonnais,
Cherpitel, Louis
Chevrier, Andre
Chevrier, Claude
Chiocchi, Gaetano
Chipot, Jean Baptiste
Chipot-Vuillaume,
Ciarma, Nazzareno
Clark, Homer
Claudot II, Charles
Claudot, Augustin
Claudot, Charles
Clement, Jean Lauren
Cole, James
Colin, J. B.
Colin, Jean Baptiste
Colin, Jean Baptiste
Collenet, Raymond
Collier and Davis,
Collin-Mezin II, Charles Jean Baptiste
Collin-Mezin III, Charles Jean Baptiste
Collin-Mezin(pere), Ch. J. B.
Collin-Mezin,
Collin-Mezin, Charles Jean Baptiste
Collin-Mezin, J. B.
Collin-Mezin, Jean Baptiste
Cone & Fils., Georges
Cone, Georges
Conia, Stefano
Contavalli, Primo
Conti, Ivano
Contino, Alfredo
Cooper, Hugh W.
Coratti, Ivano
Cordanus, J.
Cornelissen, Marten
Cornellissen, Marten
Corte, Alfonso Della
Costa, Giovanni Baptista
Costa, Pietro Antonio Dalla
Couch, C.M.
Couturieux, M.
Craske, G.
Craske, George
Crockcroft, W.
Cross, Nathaniel
Cunault, Georges
Curletto, Anselmo
Curtin, Joseph
Cuthbert, Robert
Cuypers, J. F.
Cuypers, Johannes
Cuypers, Johannes Theodorus
D Espine, Alessandro
Dalinger, Sebastian
Dall Aglio, Joseph
Dante, Guastalla
Darbey, George
Darche, Hilaire
D'Attili, Dario
De Barbieri, Paolo
de Comble, Ambroise
de Geest, Jacobus Jan van
De Vincenzi, Mario
De Zorzi, Valentino
Dearlove, Mark
Deblaye, A. J.
Deblaye, Albert
Deblaye, Albert Joseph
Deboretsovitch, Marco
Deconet, Michele
Defat, Georges
Degani, Domenico
Degani, E.
Degani, Eugenio
Degani, G.
Degani, Giulio
Degani, Guilio
Dehommais & Germain,
Deleplanque, Gerard
Delivet, Auguste
Derazey, H.R.
Derazey, Honoe
Derazey, Honore
Derazey, Juste
Derazey, Justin
Deroux, Pierre
De-Zorzi, Valentino
Di Eugenio, Giulio
Di Lelio, Armando
Didishcenko, Dmitrij Zadunajski
Dieudonne, Amedee
Diter, Justin
Dobresovitch, Marco
Dollenz, Giuseppe
Dolling, Robert Antonio
Duke, Richard
Duke, Richard Sr.
Durrschmidt, Wilhelm
Dvorak, J. B.
Dvorak, Jan Baptista
Dvorak, Jaroslov
Dworak, J. B.
Dyker, George
Eberle, Eugene
Eberle, Joannes
Eberle, Johan Ulrich
Eberle, Johann Ulrich
Eberle, Johannes Udalricus
Eberle, T.
Eberle, Tomaso
Eberle, Tommaso
Eckland, Donald
Edrev, Edrio
Ehrlich, W.
Erminia, Malaguti
Ernst, Roth H.
Esposti, Piergiuseppe
Eursolo, J. G.
Euschen, Karl
Ewbank, Henry
Fabris, Luigi
Fagnola, H.
Fagnola, Hannibal
Falisse, August
Falisse, Auguste
Falisse, Auguste & Georges
Farina, Erminio
Farley, Charles E.
Farotti, Celeste
Fendt, Bernhard Simon
Fent, Francois
Ferroni, Ferandino
Fetique, Charles
Fichtl, Johann Ulrich
Ficker, Johann Christian
Ficker, Johann Gottleb
Ficker, Johanne Gottob
Fiker, Johann Christian
Fillano, Luigi
Fils, Charles Boullangier
Fils, Grandjon
Finnigan，Andrew
Fiorini, Giuseppe
Fiorini, Giuss
Fiorini, Guiseppe
Fiorini, Paulo
Fiorini, Raffaele
Fischer, Zacharias
Fivaz, Charles F.
Fix, David
Flambeau, Pierre
Florence, Lorenzo Arcangioli
Forster II, William
Forster, William
Foschi, Georgio
Fougerolle, Claude
Fracassi, Arturo
Franot, Patrix
Fredrich & Brothers, John
Freres, Gand
Friedrich, John
Frirsz, M.
Frirsz, Max
Furber, Henry
Furber, John
Furber, Matthew
Gabrielli, Giovanni Battista
Gadda, Gaetano
Gadda, Mario
Gaggini, Pierre
Gagliano, Alessandro
Gagliano, Ferdinand
Gagliano, Gennaro
Gagliano, Giuseppe
Gagliano, Joannes
Gagliano, Johannes
Gagliano, Joseph
Gagliano, Joseph and Antonio
Gagliano, Niccolo
Gagliano, Nicola
Gagliano, Nicolo
Gagliano, Raffaele and Antonio
Gaibisso, Giovanni Battista
Gaida, Giovanni
Gaillard, Charles
Galimberti, Luigi
Galla, Anton
Gand & Bernardel Freres,
Gand & Bernardel,
Gand(pere), C. F.
Gand, Charles Adolphe
Gand, Charles Francois
Gand, Guillaume
Garani, Anton
Garavaglia, Gary
Garimberti, Ferdinando
Gartner, Eugen
Gatti, Giorgio
Gauche, Leon Mongenot
Gauche, Leon Mougenot
Geissenhof, F.
Geissenhof, Franz
Gemunder, August
Gemunder, George
Genovese, Riccardo
Germaine, Emile
Giamberini, Simone
Giannini, Fabriizio
Gianotti, Alfredo
Gibertini, Antonio
Gilbert, Jeffery James
Gilks, William
Glass, Johann
Glenister, William
Glier, Robert
Gobetti, Francesco
Goffriller, Matteo
Gofriller, Matteo
Goss, Walter Solon
Gotti, Anselmo
Gotti, Orsolo
Gould &Sons, John A.
Goulding & Co.,
Gragnani, Antonio
Grancino, G.
Grancino, Giovanni
Grand & Bernardel Freres,
Grandjon, Jules
Grulli, Pietro
Guadagnini, A.
Guadagnini, Antonio
Guadagnini, Francesco
Guadagnini, G. B.
Guadagnini, Gaetano
Guadagnini, Giuseppe
Guadagnini, J. B.
Guadagnini, Joannes Battista
Guadagnini, Lorenzo
Guado, Lorenzo Frassino
Guarneri filius Andreae, Giuseppe
Guarneri fillius Andreae, Giuseppe
Guarneri of Mantua., Pietro
Guarneri, Andrea
Guarneri, Giuseppe
Guarneri, Petrus(filius Andreas)
Guarneri, Petrus(filius Joseph)
Guarnerius, Andrea
Guarnerius, Giuseppe Antonio
Guarnerius, Pietro
Guastalla, Dante & Alfredo
Guerra, Emilio Evasio
Guerra, Evasio Emiliano
Guerra, Evasio Emilio
Guerriero, Spataffi
Guersan, Louis
Guidante, Floreno
Guidante, Giovanni Floreno
Guidante, Joannes Florenus
Guidantus, Joannes Florenus
Haff, Josef Anton
Hall, R. G.
Hall, Roscoe G.
Hardie & Son, Matthew
Hardie, Matthew
Hardie, Thomas
Harris II, Charles
Harris, Charles
Hart & Son,
Hart, George
Hausmann, Ottomar
Haynes & Co.,
Heaton, William
Heberlein Jr., Heinrich Th.
Heberlein Jr., Heinrich Theodor
Heberlein Jr., Heinrich Thomas
Heberlein, H. T.
Heberlein, Heinrich
Heberlein,Jr, Heinrich Theodor
Heberlin, Friedrich August
Heckel, Rudolf
Heinicke, M.
Heinicke, Mathias
Hel, Joseph
Hel, Pierre
Hel, Pierre Jean Henri
Hellmer, Johann Georg
Henderson, F. V.
Henderson, Harold A.
Herclik, Frant
Herclik, Ladislas
Herrmann, Karl
Hesketh, T. E.
Hesketh, T. Earle
Hesketh, Thomas Earle
Heyberge, Georges
Heyligers, Mathijs
Hicks, George Hubert
Hierro, Jose Del
Hilare, Paul
Hill & Sons, W. E.
Hill, Joseph
Hill, Lockey
Hjorth, Emil
Hjorth, Knud
Hoffman, Anton
Hoffman, Edward
Hoffman, G. William
Hofmann, Anton
Holder, T. Jacques
Holzapfel, Carl
Homenick, Brothers
Homolka, Emanuel Adam
Homolka, Ferdinand August
Hoof, Alphons Van
Horil, Jacob
Hornsteiner II, Joseph
Hornsteiner, Joseph
Howard, Clark
Howard, William
Hudson, George Wulme
Hull, John Justus
Hume, Alexander
Hummel, Mathias
Hums, Albin
Hutchins, Carleen M.
Injean, Phillip
Jacobs, H.
Jacobsz, Hendrik
Jacquot, Charles
Jacquot, Fernand
Jais, Johannes
Jaura, Wilhelm Thomas
Johnson, F.M.
Johnson, J.
Johnson, John
Johnson, P. A.
Joly, Louis
Jombar, Paul
Joy, Louis
Juzek, John
Kaltenbrunner, K. Richard
Kantuscher, Joseph
Kaul, Paul
Keenan, Edward
Keffer, Johann
Kempter, Andreas
Kennedy, Thomas
Kessel, M.J.H.
Kingman, Gordon Maury
Klinth, Albert W.
Klotz, Aegidius
Klotz, Georg
Klotz, Georg (2)
Klotz, George
Klotz, J. C.
Klotz, Joan Carol
Klotz, Johann Carl
Klotz, Joseph
Klotz, Matthias
Klotz, Michael
Klotz, School of
Klotz, Sebastian
Klotz, Sebastien
Kloz, Aegidius
Kloz, Joan Carol
Kloz, Sebastien
Knilling, Johann
Knopf, Henry Richard
Knorr, Albert
Knorr, Paul
Koch, F. J.
Kraub, Johann
Krell, Albert
Kriner, Hans B.
Krumbholz, Lorenz
Kulik, Joh.
Kuljk, Johann
Kun, Joseph
Kundanowski, Jan
Kuntze-Fechner, M.
Kunze, Wilhelm Paul
Kvamme, Magne
Labert, Marc
Laberte, Marc
Laberte-Humbert,
Laberte-Magnie,
Lambert, Jean Nicolas
Lamberton, James
Lamy, Alfred Joseph
Lamy, Jerome Thibouville
Lanaro, Umberto
Landolfi, Carlo Ferdinando
Landolfi, Pietro Antonio
Landolphi, Carlo Fernando
Langonet, Eugene
Lanini, Loris
Laurent II, Emile
Laurent, Emile
Lauten, Leopold Widhalm
Lavazza, Santino
Lazzaro, Giovanni
Leavitte, F.A.
Lecchi, Bernardo Giuseppe
Leclerc, Joseph Nicolas
Lee, Percy
Leeb, Johann Georg
Leeds, A. Warrick
Lembock, Gabriel
Leoniri, P.
Liessem, Remerus
Lo Schiavo, Antonino
Logan, John
Longiaru, Giocanni
Longiaru, Giovanni
Longman & Broderip,
Lorange, Paul
Lott II, John Frederick
Lott, John
Lott, John Frederick
Lowendall, L.
Lowendall, Louis
Lowenthal, Louis
Luca, Antonio
Lucca, Antonio
Lucci, Giuseppe
Luff, William
Luff, William H.
Lungo, Alfredo Del
Lupot, Nicolas
Luthier, Paul Bailly
Luthiers, Gand & Bernardel
Maggini, Giovanni Paolo
Magiali, Cesare
Magniere, Gabriel
Magrini, Cesare
Mangenot, Amati
Mangenot, Paul
Mannheim, Arnold Schmidt
Mantegazza, Pietro Giovanni
Mantova, Bruno BARBIERI
Maraviglia, Guido
Marchetti, Enrico
Marchi, Joannes Antonio
Marconcini, Luigi Aloisio
Mariani, Antonio
Markert, Ignatius
Markert, John
Market, Ignatius
Marseille, Malakoff Brugere
Marshall, John
Martinenghi, Marcello Giovanni
Martini, Oreste
Martino, Giuseppe
Mason, Walter
Matsuda, Tetsuo
Maucotel, Charles
Maucotel, Ernest
Maugenot, A.
Maugenot, P.
Mayson, Walter
Mayson, Walter H.
Medard 111, Nicholas
Megniere, Gabriel
Meinel, Eugen
Meinel, Oskar C.
Meisel, Christian
Meisel, Johann
Melegari, Enrico Clodoveo
Melzl, Johann Georg
Mennesson, Emile
Menzinger, Gustave
Merling, Pauli
Mermillot, M.
Mermillot, Maurice
Michetti, Plinio
Migazzi, Luigi
Miles, George
Militella, Mariano
Millant, Roger & Ma
Millant, Roger & Max
Milne, Patrick
Mingazzi, Luigi
Minnozzi, Marco
Miremont, Claude Augustin
Mockel, Otto
Moinel-Cherpitel,
Moinier, A.
Moller, Max
Monk, J. K.
Monnig, Fritz
Montagnana, Domenico
Montagnana, Dominico
Monteverde, Claudio
Morara, Paolo
Morassi, Gio. Balta
Morassi, Giovanni Baptista
Morassi, Giovanni Battista
Moschella, Salvatore
Mougenot, Georges
Mougenot, Leon
Moya, Hidalgo
Mozzani, Luigi
Mucchi, Antonio
Mumby, Ernest
Muncher, Romedio
Napoli, Raffaele Calace
Nebel, Martin
Nemessanyi, Samuel Felix
Nemssanyi, Samuel Felix
Neudorfer, Karel
Neudorfer, Karl
Neuner & Hornsteiner,
Neuner&Hornsteiner,
Neuner, Ludwit
Neuner, Mathias
Nicholas, Didier
Nicolas (fils), Joseph
Nicolas, Didier
Niepraschk, William F.
Noebe, Louis
Nolli, Marco
Novelli, Natale
Nupieri, Giuseppe
Oddone, Carlo Giuseppe
Odoardi, Giuseppe
Oettl & Hornsteiner,
Oliver, Barry
Olivier and Bisch, Christian and Paul
Ornati, G.
Ornati, Giuseppe
Osio,Marco
Otto, C. W.F.
Owen, J. W.
Owen, John William
Pacherel, Pierre
Paine, Arthur
Pallotta, Pietro
Palmieri, Alessandro
Pamphilon, Edward
Panormo, George
Panormo, Joseph
Panormo, Vincenzo
Panormo, Vincenzo Trusiano
Paoletti, Silvio
Paoletti, Silvio Vezio
Paolo, Erba
Paquotte, Jean Baptist
Pareschi, Gaetano
Paris, Maline Pere
Parker, Daniel
Parmensis, Ferdinandus Garimberti
Parravicini, Piero
Patocka, Benjamin
Patten, W. H.
Pedrazzini, G.
Pedrazzini, Giuseppe
Pedrazzini, Guiseppe
Pellacani, Giuseppe
Pellerani, Antonio
Pellicani, Guiseppe
Pellizoni, Antonio
Pere, Grandjon
Peresson, Sergio
Perry, Thomas
Peternella, Jugo
Pevere, Ernesto P
Pickard, Handel
Pilar, Karel
Pilar, Vladimir
Pilat, Ernest Paul
Pilat, Pal
Pilat, Paulus
Pillement, Francois
Pinto, Hieronimus Antonius
Pique, Francois Louis
Piretti, Enrico
Pirot, Claude
Pistucci, Giovanni
Planis, Auguste
Plumstead, William Robinson
Poehland, Bernhard
Poggi, Ansaldo
Poirson, Elophe
Politi, A.
Politi, Enrico
Politi, Raul
Pollastri, Gaetano
Poller, Anton
Postacchini, Andrea
Postiglione, Vincenzo
Powloski-Banchero, Patricia
Praga, Eugenio
Pressenda, Giovanni Francesco
Pressenda, J. F.
Pressenda, Joannes F.
Proctor, A. W.
Prokop, Ladislaw
Premon,Luca
Pyne, George
Pyne, Georges
Racz, Lorand
Radrizzani, Angelo
Rambaux, Claude Victor
Ranieri, Eraclio
Ravizza, Carlo
Regazzoni, Dante
Regazzoni, Dante Paolo
Reiter, Johann
Remenyi, Mihaly
Resuche, Charles
Richardson, A.
Richardson, Arthur
Richter, Eckart
Rieger, Georg
Rinaldi, Gioffredo Benedetto
Rivolta, Giacomo
Robinson, William
Rocca, Enrico
Rocca, Giuseppe
Rocca, Josef
Rocca, Joseph
Rogeri, Giovanni Baptista
Rogeri, Giovanni Battista
Rombouts, Peter
Rombouts, Pieter
Romeo, Antoniazzi
Rossi, Giuseppe
Rossi, Guiseppe
Roth, E. H.
Roth, Ernest Heinrich
Roth, Ernst Heinrich
Rovescalli, A.
Rovescalli, Azzo
Rubio, David
Ruger, Vincenza
Rugeri, Francesco
Ruggieri, Francesco
Ruhlman, Karl H.
Rushworth & Dreaper,
Rushworth,
Saccani, Benigno
Salomon, Jean Baptiste Deshayes
Salsedo, Luigi
Salvadori, Giuseppe
Sannino, V.
Sannino, Vincenzo
Santagiuliana, Gaetano
Santagiuliana, Giacinto
Saretta, Giuseppe
Scarampella, Stefano
Schiller, Emil
Schlegel, Klaus
Schmidt, E. Reinhold
Schmidt, Ernst Reinhold
Schmidt, Max Willibald
Schonfelder II, Johann Georg
Schonfelder, Johann Georg
School of Deconet,
Schultz, Henry Y.
Schunemann, Otto
Schuster, Max
Schuster & Co.
Schwaicher, Leopold
Schwarz, Giovanni
Schweitzer, Johann Baptist
Scmidt, Ernst
Scolari, Giorgio
Sderci, Iginio
Seifert, G.
Seifert, Otto
Seitz, Anton
Seraphin, Sanctus
Seraphin, Santo
Serdet, P.
Serdet, Paul
Sgarabotto, Gaetano
Sgarabotto, Gaetano Cavaliere
Sgarabotto, Pietro
Sgarbi, A.
Shearer, Thomas
Silvestre & Maucotel,
Silvestre, H. C.
Silvestre, Hippolyte
Silvestre, Hippolyte Chretien
Silvestre, Pierre
Silvestre, Pierre & Hippolyte
Simonazzi, Amedeo
Simonin, Charles
Sisa, Auro
Smillie, A.
Smillie, Alexander
Smith, Arthur Edward
Smith, Bert
Smith, John
Soffritti, Ettore
Soliani, Angelo
Soriot & Didion,
Sorsana, Spirito
Sorsano, Spirito
Soubeyran, Mark Ariste
Spidlen, Frantisek
Spidlen, Otakar Frantisek
Spidlen, Premysl Otakar
Squier, J. B.
Squire, V. C.
Stadlmann, Johann Joseph
Stainer, Jacob
Stainer, Jacobus
Stancel, A. L.
Stanley, Carlton F.
Stefanini, Giuseppe
Stirrat, David
Storioni, Carlo
Storioni, Lorenzo
Stoss, Bernardus
Stradivari, Antonio
Striebig, Jean
Stumpel, H. C.
Sullivan, Kenneth E.
Sylvestre and Maucotel,
Szepessy, Bela
Tadioli, Maurizio
Tarasconi, Giuseppe
Tarr, William
Tecchler, David
Tenucci, Eugen
Terry, John
Testore, Carlo Antonio
Testore, Carlo Giuseppe
Testore, Family
Testore, Paolo Antonio
Thibout, Jacques Pierre
Thibouville-Lamy, J.
Thibouville-Lamy, Jerome
Thir, J. G.
Thir, Josef
Thir, Mathias
Thompson and Sons,
Thompson, Charles
Thompson, Charles & Samuel
Thouvenel, Charles
Tivoli, Arrigo
Tobin, Richard
Tononi, Carlo
Tononi, Giovanni
Toth, Joannes
Toth, Johannes
Tournier, Joseph Alexis
trapani, Raffaele
Trautner, Hans
Turin, Nicolaus Giorgis
Ullmann, Giorgio
Ulrich, Johann
Vaccari, Alberto
Vaccari, Raffaelo
van Hoof, Alphons
Varotti, Joannes
Vautrin, J.
Vautrin, Joseph
Vavra I, Karel
Vavra, Josef
Ventapane, Lorenzo
Ventapane, Pasquale
Vettori, Carlo
Vettori, Paolo
Vettori, Paulo
Villa, Luigi
Villaume, Gustave Eugene
Vilonni, Angelo Di
Vinaccio, Vincentius
Vincent, Alfred
Vincent, Arthur
Vinnaccia Brothers,
vinnaccia, Gennaro
Vlummens, Dominicus
Voight, Arnold
Voller - Brothers,
Voller, William
Vuillaume, Chipot
Vuillaume, J. B.
Vuillaume, Jean Baptiste
Vuillaume, Jean Baptiste
Vuillaume, Jean Baptiste
Vuillaume, Jean Baptiste
Vuillaume, Jean Baptiste
Vuillaume, Nicholas
Vuillaume, Nicolas
Vuillaume, Nicolas Francois
Vuillaume, School of
Vuillaume, Sebastien
Wade, H. F.
Walker, John
Walker, William
Walton, William
Wamsley, P.
Wamsley, Peter
Ward, George
Warrick, A.
Warwick, A.
Webb, R. J.
Wenger, Gergori Ferdinand
White, Asa Warren
Whitmarsh, Emanuel
Whitmarsh, Emmanuel
Widhalm, Leopold
Widhalm, Martin Leopold
Wildsteinboner, Hermann
Wilhelm, Christian Heinrich
Wilkinson, John Charles
Willer, Johann Michael
Wilmet, F. J.
Winterling, Georg
Withers II, Edward
Withers, Edward
Withers, George
Withers, Joseph
Wittmann, Antonio
Wolff Brothers,
Wouldhave, John
Wulme-Hudson, G.
Wulme-Hudson, George
Wurlitzer, Rembert
Zani, Aldo
Zanier, Ferruccio
Zanoli, Francesco
Zari, Fratelli
Zawick, Thomas L.
Zenatto, Pietro
Zimmer, Karl Otto
Zsiga, Laszlo
Zust, J. E.
Zust, J. Emile
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非常感谢。
中国制琴师不少，能称得上世界级名师的有吗？我们不妨列出十位二十几位的。
感谢张先生。&
鲜花鸡蛋&&在 17:41&&送朵鲜花&&并说：原老师的 Koch 名琴也在册上，鲜花祝贺一下！
张胸，你这名单肯定是过时的，这上咋能没有著名的Finnigan夫妇涅？！有些克莱蒙那的少壮派新秀也不在这上。
风雅颂 发表于
张胸，你这名单肯定是过时的，这上咋能没有著名的Finnigan夫妇涅？！有些克莱蒙那的少壮派新秀也不在这上。 ...
风管说得对。这单子是有些老了，连咱们老吴小胡等都还没写入榜中。所以说要补充更新吗！呵呵。
Derazey, Justin的琴非常棒！最近看到一把他上个世纪比赛金奖的斯式琴。才明白那时的MIRCOURT才是制琴圣地。大师辈出，像BABE，DIEUDONNE DERAZEY等大师们的手工超凡入圣。他们曾经达到的制琴里程碑，是今天的CREMONA的意大利人望尘莫及，做梦所不能及的。
超龄版一休 发表于
Derazey, Justin的琴非常棒！最近看到一把他上个世纪比赛金奖的斯式琴。才明白那时的MIRCOURT才是制琴圣地。 ...
我已经去过法国 Mirecourt 两趟了，有机会也可能还会再去。
那里山清水秀，犹如到了人间仙境，是个修性疗养的好地方。
那里的琴好，也许弓更好。当地有一家乐器博物馆很值得参观。
一起来看看Derazey，Justin 制做的一把帕格尼尼小提琴。
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00:59 上传
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肯定会有一定程度上的影响。但这个影响究竟有多大还真不太好说。&
鲜花鸡蛋&&在 10:39&&送朵鲜花&&并说：会影响声音震动吗？&&在 10:38&&送朵鲜花&&并说：背板像木雕艺术品，会声音震动吗？
是镂雕背板，看来名人的镂雕背板琴也照样升值，不能一概而论。
风雅颂 发表于
是镂雕背板，看来名人的镂雕背板琴也照样升值，不能一概而论。
& &&&风胸说的一点不假，凡是不能一概而论。
记得某“大师” 也曾在哪里看到过上面这个帕格尼尼镂雕背板，却在社区非说是什么前苏联提琴，因为上面有颗五星。看来这世界不是啥东西都可以随便“联想”的........
鲜花鸡蛋&&在 17:09&&送朵鲜花&&并说：我非常同意你的观点，送朵鲜花鼓励一下
张先生 发表于
风胸说的一点不假，凡是不能一概而论。
记得某“大师” 也曾在哪里看到过上面这个帕格尼尼镂雕背板 ...网上的二把刀不少！看下面这视频，是所谓的“精英”，我看也是俩二把刀加骗子！忽悠者加拉琴的狗屁不懂，那个
做琴的也根本就是个骗子！他的琴真如他说的那么好，又何必从米国跑回国来？！
鲜花鸡蛋&&在 10:41&&送朵鲜花&&并说：很同意你的观点，不敢恭维。
哈哈哈哈.......太牛了。什么破琴开口都是按“万美元”计价。
Nemssanyi, Samuel Felix
也确实属于名琴，奥匈帝国时期的作品。声音超级棒.
超龄版一休 发表于
Nemssanyi, Samuel Felix
也确实属于名琴，奥匈帝国时期的作品。声音超级棒.
关于匈牙利制琴名师 Sámuel Nemessányi (Nemessànyi),
Hungarian: Nemessányi Sámuel (January 12, 1837, in Verbicz-Hušták, Liptószentmiklós – March 5, 1881, Budapest) was a Hungarian luthier, a maker of stringed instruments, such as: violins, violas, and cellos. Nemessányi is considered the most talented and important maker in the Hungarian violin-making school. During his lifetime, he was already acknowledged as the most outstanding craftsmen of stringed instruments in all of Hungary and his instruments are of great importance to Hungarians. His life and work strikingly parallels that of Italian luthier Giuseppe Guarneri del Gesù.
Contents&&[hide]
1 Early life
2 Middle years
3 Early Death
5 Instruments
Early life[edit]
Not much is known about Nemessányi's early life. His middle name of &Félix& is thought to be wrong, as it does not appear in any known documentation (marriage or birth certificate). It was assumed that he was born in Preschau, but it is now known that Nemessányi was indeed born in Liptau-St. Nikolaus (formerly Verbicz-Hušták) to the son of an impoverished shoemaker. His father had urged young Samuel to take up glass blowing, but found that his interest lay in working with wood. At the age of 18, he moved to Pest to learn carpentry and cabinet making.
By a stroke of luck, the workshop where he served his apprenticeship was very close to the violin shop of noted German luthier Johann Baptist Schweitzer. Nemessányi then met Thomas Zach, an assistant to Schweitzer and also a talented maker himself. In April 1855, impressed by Nemessányi's skill with woodworking, Zach took the talented young man as his apprentice and Nemessányi began his training in the most regarded violin shop by the most famous luthiers in Hungary.
Nemessányi's talent developed remarkably under the guidance of his mentors and due to his exceptionally quick progress, he managed to finish the usual 4-year apprenticeship in only 3 years. On May 4, 1858, following the advice of his mentors, he traveled to Prague to meet with Hungarian maker Anton Sitt, a former Schweitzer pupil himself. At Sitt's shop, Nemessányi had the opportunity to examine and repair many fine, old Italian instruments. After spending a year working with Sitt, Nemessányi returned to Hungary a master of his craft at the age of 22.
Middle years[edit]
Nemessányi moved to Szeged where he found his first wife. He was married on January 21, 1861 to the 18-year-old Anne Boldizsár. He was well liked in Szeged and he enjoyed profitable working conditions. Being the restless character that he was, he was soon dissatisfied with the quiet of Szeged. He gathered all his tools and moved his family around from town to town, such as Pécs (Fünfkirchen), working for varied lengths of time in each.
Upon receiving an invitation, Nemessànyi uprooted his family once more and moved to Pest, where his reputation as a violin maker was growing. On April 4, 1863, he received his masters diploma from the Pest Musical Instrument Maker's Guild and was accepted as a member. The Nemessànyi's moved to 7, Hajó St. which was formerly the property of deceased violin maker, Franz Tischenant.
The music scene in Pest was rapidly expanding, thus giving Nemessànyi an opportunity to further develop his work. He soon was able to move to a better location at 4, Grànàtos St. where he soon became overwhelmed with repairs and orders for new instruments by artists, gypsy violinists, and wealthy amateurs. Nemessànyi profited greatly from his work, but also received additional support by his father-in-law. Nemessànyi was overly generous, usually borrowing money to poor friends which led to a constant lack of it. What few funds remained were spent on his excessive taste for wine, which would eventually become his fatal vice.
In May 1870, Nemessànyi's young wife died and his love of adventure and preference for wine suddenly stopped. His four children were taken into custody by their grandparents in Szeged. It was during this period that Nemessànyi took on two apprentices: Karl Hermann Voigt and Béla Szepessy. Voigt only stayed with Nemessànyi for a year, returning to Vienna soon after. He was replaced by Eduard Bartek, a talented young man. It was not long before Nemessànyi took a liking to Bartek's sister, Anna. They were wed in Szeged in 1872 with the support of the Boldizsàrs.
Nemessànyi returned to his work with a fresh outlook to the newly appointed capital of Budapest. New clients often had to wait for months for their instruments due to his heavy workload. Nemessànyi's new wife found his adventurous lifestyle too much to bear and soon left him with their two daughters. To make matters worse, Szepessy also left and travelled to Vienna, Munich, and finally to London where he established himself as a first-rate maker and shop owner. Were it not for Anna Boldizsàr's mother, Nemessànyi would have remained alone in despair.
She moved to Budapest and brought Nemessànyi's four children from his first marriage. They rented a flat at 7 Hatvani St. and she took care of the children and housework. Nemessànyi's workshop was once again prospering and in his beautifully furnished drawing room, he hosted the best musicians Budapest had to offer, such as: Ede Reményi, Karl Huber, and his son, the famous prodigy, Eugene Hubay.
Nemessànyi's excessive ways soon began to take over his tranquil life. He wasted the inheritance from is first marriage and his mother-in-law was forced to return to Szeged with the rest of the money and his children, so that they would receive a good education. Nemessànyi was once again alone. He left his large flat and moved around to various places in Budapest. Luise Nemessànyi, the widow of his brother, became his new partner and she let him stay at 18 Nagyfúvaros St. where she ran a grocery shop. They had two children together. The relationship between Nemessànyi and the Boldizsàr's was soon restored and even Anna Bartek forgave him for his ways.
Early Death[edit]
Nemessànyi's shaky lifestyle took a great toll on his health. His excessive drinking led to his early demise at the height of his most productive period. On March 5, 1881, he suffered a stroke and collapsed in the street, dying shortly afterward. He was barely 44 years old.
Although none of his sons chose violin making, Nemessányi's apprentices, Béla Szepessy and Eduard Bartek, are generally credited for carrying on the Nemessányi line throughout the late 18th and early 20th century. Bartek taught Paul Pilát who taught many talented apprentices, including: Desző Bárány, Mihály Reményi, and János Spiegel to name a few.
Despite the fact that Nemessànyi was irresponsible, impulsive, and careless, he was a kind and compassionate man whom everyone liked. He was truly a dramatic figure in the world of violin making and left a sizable impression in the Hungarian violin-making school. His life leads a striking parallel with that of Giuseppe Guarneri del Gesù who also lived excessively with the drink and died in his early 40's, at the height of his career. Nemessànyi's talent with Guarnerian modeling only enhance this fact.
Labels[edit]
During his early working years, he wrote his labels by hand. As early as 1863, he began to use printed labels. New labels were ordered in 1871 with larger letters and were mistakenly printed with &Samueli&. In some cases he erased the extra 'i', but on some, he left it as it was. On occasion, Nemessànyi was known to use the brand mark of &N S&. In faked violins, there almost always exists a brand mark, even though Nemessànyi barely used it in his own instruments.
His labels appear as such:
Samuel Nemessányi fecit Pestini, 1874
Samuel Nemessányi fecit ad formam Antonio Stradiuarii Pestini 1865
Csinálta Nemessanyi Samu Pecsen S.N. 1861 II
Nemessányi Sam P. Maggininiutan Bpesten 1879
It should be mentioned that it is disputed that Nemessànyi ever created a Maggini model.
Samuel Nemessányi fecit ad formam Joseph Guarnerii pestini anno 1879
Instruments[edit]
Due to his lifestyle, Nemessànyi's work reflected his moods. When he had to deal with unpleasant clients or suffered from depression, he often pr however, at his best, he distanced himself from everyone, producing master instruments within a few weeks. These are the instruments that are often compared closely with that of Stradivari and Guarneri.
Nemessànyi had a predilection for del Gesù models. He copied some instrument models so perfectly that his unbranded and unlabeled instruments were often in circulation as genuine del Gesù's and other famous Italian makers. Due to this, only a small number of instruments are known to be made by him. Genuine violins and cellos made by Nemessànyi himself are outstanding instruments and compare favourably with the best of 18th and 19th century instruments. William Henley had this to say about Nemessànyi's instruments. &Tonal quality completely congenial to the bravura soloist, neither string dull or unequal, but a splendidly free emission of sonorous strength and brilliancy...&
Nemessànyi had a special gift with wood, always using beautifully flamed maple and tight-grained spruce for his instruments. He was often able to work as thin as 2.2 millimetre's under the bridge with his best quality spruce. The final shape of each instrument depended on the acoustic qualities of the wood he was working with, resulting in different measurements for nearly every instrument. It is also known that he was an excellent restorer.
Even though Nemessányi's best instruments look nearly identical to their Italian counterparts, it is not this fact alone that created the illusion that some were indeed the genuine articles. It is their playability that also compares favourably with the instruments they were meant to represent. Herbert Goodkind said this about the playability of Nemessányi's instruments: &They possess both mellowness and power, and an ease and evenness of response that enables the performer to produce the gamut of dynamic shadings from pianissimo to fortissimo without loss of quality.&
Heinrich W. Ernst once owned a Del Gesù with a label that read &Joseph Guarnerius fecit Cremona 17__&. Even though it's measurements and appearance match that of a genuine Del Gesù, it was made around 1860 by Samuel Nemessànyi. It is illustrated in &Journal of the Violin Society of America& Vol. II, No. 2 by Herbert Goodkind.
As a copyist, Nemessànyi is placed in the ranks of the Voller Brothers, Vuilluame, Lupot and John Lott.
Sources[edit]
Original research by László and Mihály Reményi: Original biographical information from an article by László Reményi: VIOLINS AND VIOLINISTS: February, March, and April 1950.
Benedek, Peter: VIOLIN MAKERS OF HUNGARY: 1997: Heichlinger Druckerei GmbH, Garching.
Henley, William: UNIVERSAL DICTIONARY OF VIOLIN AND BOW MAKERS in 5 volumes: 1956-60: AMATI PUBLISHING LTD
Goodkind, Herbert: JOURNAL OF THE VIOLIN SOCIETY OF AMERICA Vol. II, No. 2.
谢谢老张。你的信息太快了！我刚拿到我老师的琴，就看到你发的介绍。确实名不虚传
本帖最后由 张先生 于
22:34 编辑
超龄版一休 发表于
谢谢老张。你的信息太快了！我刚拿到我老师的琴，就看到你发的介绍。确实名不虚传
祝贺郑老师喜得名琴！{:soso_e179:}
我看了老张的帖子很高兴也很安慰。我收藏的琴都在这里榜上有名。。CURTIN N，NEMESANYI。等&
谢谢老张。后天飞香港。27号音乐会就用这把名琴。希望有现场视频可以和大家分享这把琴的声音。本来破成6块。被王冠宇修正复原得和当年我老师使用的时候，当时那种辉煌时期的声音已经差不多了。&
张先生 发表于
祝贺郑老师喜得名琴！
谢谢老张。后天飞香港。27号音乐会就用这把名琴。希望有现场视频可以和大家分享这把琴的声音。本来破成6块。被王冠宇修正复原得和当年我老师使用的时候，当时那种辉煌时期的声音已经差不多了。
超龄版一休 发表于
谢谢老张。后天飞香港。27号音乐会就用这把名琴。希望有现场视频可以和大家分享这把琴的声音。本来破成6块 ...
严重期待中....... 预祝郑老师音乐会圆满成功！ {:soso_e181:}
鲜花鸡蛋&&在 10:43&&送朵鲜花&&并说：我非常同意你的观点，送朵鲜花鼓励一下
张先生有多少一楼在册名师的名琴，能透露一下吗？{:soso__:}
yxptq 发表于
张先生有多少一楼在册名师的名琴，能透露一下吗？
需要仔细核查一下才知道，大概有N把之多吧？ 其中（官窑） Schuster 我这里已经没有了，只还剩下一把老 Koch 有待做指板调整。{:soso_e112:}
本帖最后由 snfnuu 于
17:25 编辑
可以参考以上琴师名单搜索一下，保存的好琴是否在制琴师名单之列啦。。。
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