您的举报已经提交成功，我们将尽快处理，谢谢！
burn的动名词形式
___竭诚为您解答，麻烦亲不吝赐一个好评！感激不尽！
放大器，加强基因。满意别忘了好评哦
give me five
通常是打招呼用语
理解为 嗨 你好 或者是庆祝胜利 等等（觉得有用请设为好评哦）
意思是程序或者节目
如果能帮到您，请好评一个，谢谢
应该是 Happy smile 吧
，意思是 “幸福的微笑”
——————我是活雷锋，为人民服务！亲的好评是我前进的动力！
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Sunshine&()
A team of international astronauts are sent on a dangerous mission to reignite the dying Sun with a nuclear fission bomb in 2057.
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1 win & 17 nominations.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
Duncan Jones
Sam Rockwell,
Kevin Spacey,
Dominique McElligott
A genetically inferior man assumes the identity of a superior one in order to pursue his lifelong dream of space travel.
Andrew Niccol
Ethan Hawke,
Uma Thurman,
Dr. Ellie Arroway, after years of searching, finds conclusive radio proof of intelligent aliens, who send plans for a mysterious machine.
Robert Zemeckis
Jodie Foster,
Matthew McConaughey,
Tom Skerritt
Four weeks after a mysterious, incurable virus spreads throughout the UK, a handful of survivors try to find sanctuary.
Danny Boyle
Cillian Murphy,
Naomie Harris,
Christopher Eccleston
A civilian diving team is enlisted to search for a lost nuclear submarine and face danger while encountering an alien aquatic species.
James Cameron
Ed Harris,
Mary Elizabeth Mastrantonio,
Michael Biehn
A rescue crew investigates a spaceship that disappeared into a black hole and has now returned...with someone or something new on-board.
Paul W.S. Anderson
Laurence Fishburne,
Sam Neill,
Kathleen Quinlan
In 2027, in a chaotic world in which women have become somehow infertile, a former activist agrees to help transport a miraculously pregnant woman to a sanctuary at sea.
Alfonso Cuarón
Julianne Moore,
Clive Owen,
Chiwetel Ejiofor
A pair of crew members aboard a spaceship wake up with no knowledge of their mission or their identities.
Christian Alvart
Dennis Quaid,
Ben Foster,
Cam Gigandet
Six complete strangers of widely varying personality characteristics are involuntarily placed in an endless kafkaesque maze containing deadly traps.
Vincenzo Natali
Nicole de Boer,
Maurice Dean Wint,
David Hewlett
In a fascist future where all forms of feeling are illegal, a man in charge of enforcing the law rises to overthrow the system.
Kurt Wimmer
Christian Bale,
Sean Bean,
Emily Watson
An extraterrestrial race forced to live in slum-like conditions on Earth suddenly finds a kindred spirit in a government agent who is exposed to their biotechnology.
Neill Blomkamp
Sharlto Copley,
David James,
Jason Cope
A commercial transport ship and its crew are marooned on a planet full of bloodthirsty creatures that only come out to feast at night. But then, they learn that a month-long eclipse is about to occur.
David Twohy
Radha Mitchell,
Cole Hauser,
Vin Diesel
Complete credited cast:
50 years into the future, the Sun begins to die, and Earth is dying as a result. A team of astronauts is sent to revive the Sun - but the mission fails. Seven years later, a new team is sent to finish the mission as mankind's last hope.
Written by
Plot Keywords:
Dark days are coming.
Motion Picture Rating
Rated R for violent content and language
Parents Guide:
Official Sites:
Release Date: 5 April 2007 (UK)
Also Known As: Taiyang Haojie
Filming Locations:
&26,000,000
(estimated)
Opening Weekend:
&1,021,063
(6 April 2007)
$3,675,072
(12 October 2007)
Production Co:
Show detailed
Sound Mix:
Aspect Ratio: 2.35 : 1
Did You Know?
had never seen any of 's work onscreen but was suitably impressed by the actor's audition to cast him.
(at around 50 mins) Searle's statement about 80% of dust being human skin is a commonly held, but false, urban myth. Common household dust on Earth is composed of many different things, and none of them individually account for anything close to 80% of it. Given the situation, it's entirely possible that the dust he's looking at is mostly human skin, but this is not true for dust in general.
[first lines]
Our sun is dying. Mankind faces extinction. Seven years ago the Icarus project sent a mission to restart the sun but that mission was lost before it reached the star. Sixteen months ago, I, Robert Capa, and a crew of seven left earth frozen in a solar winter. Our payload a stellar bomb with a mass equivalent to Manhattan Island. Our purpose to create a star within a star.
[long pause]
Eight astronauts strapped to the back of a bomb. My bomb. Welcome to the Icarus Two.
Crazy Credits
At the end of the credits the sound of the distress beacon of the Icarus can be heard in the background.
Connections
Referenced in &(2013)
Soundtracks
Avenue of Hope
Performed by
Written by
(as J. Bramwell) / A. Hargreaves / P. Jobson
Published by Chrysalis Music (C) 2005.
Used by permission. All rights reserved.
Licensed courtesy of The Echo Label Ltd.
Frequently Asked Questions
(Spoiler Alert!)&&
User Reviews
Sunshine - rather good..
Sunshine cost &20 million. Jerry Bruckheimer and his Hollywood cohorts must be shaking their heads in disbelief. Danny Boyle and Alex Garland, British born and bred, have outdone America's effects laden finest, and at a mere fraction of the price. Armageddon ($140 million) and Pirates of The Caribbean 2 ($225 million) have nothing, nothing on the majestic visuals that Sunshine offers. From the jaw dropping opening sequence to the fantastically realised final moments, Boyle's latest is a mighty treat for the eyes. But of course, effects do not make a film. You need only consider the two aforementioned Bruckheimer blowouts for proof. But happily, behind the blinding visuals, Sunshine has a violently beating heart. One that offers absolutely no let up, that gains speed and then gains a little more, before finally threatening cardiac arrest. You can't help but live and breath every moment of the crew's breathless existence. The year is 2057 and a select group of astronauts are given that most trifling of tasks. The sun is dying. Drop a bomb in it. Save all of mankind. And to top it all, on a ship rather ominously named 'Icarus II'. Add inevitable inter crewmember tension and you have a rather heated situation. The sweaty crew are played wonderfully by a decidedly un-starry, but talented cast. Cilian Murphy, taking the lead role as the ship's resident physicist Cappa, the only member who has the wherewithal to actually drop the bomb, is coolly enigmatic as ever, the blue orbs of his eyes forming a nice counterpoint to the never far rather redder orb of the sun. You can't help but feel he isn't particularly challenged as an actor, but nevertheless he provides a suitably ambivalent, androgynous and faintly unsettling core to the proceedings. Perhaps more impressive is Chris Evans. Recently seen in a similarly hot headed role in the undercooked comic book adaptation 'Fantastic Four', he consistently snatches scenes from Murphy as engineer Mace, about as volatile and fiery as Cappa is composed and cool. Without Evan's energetic performance, the film would sink into an anti-libidinal quag. Mace's emotive instability injects pace when it's needed and brings some welcome variety to the otherwise glum faces. Evans is surely on the brink of big things. A small quibble would be that there are perhaps a few meaning that a fair share of the cast never really gets a chance for development, which is irritating, as one gets the feeling that there's a lot of wasted potential.Another chink in Sunshine's spacesuit, is in many places, Alex Garland's screenplay. Whilst he has a remarkable talent for creating intense psychological tension, of which there is plenty in Sunshine, his philosophising is much less satisfactory. This is not to say he doesn't play with some fascinating ideas. With the crew circling so close to the Sun, to the giver of life, Garland begins ask the biggest of questions. Is there something, something inestimably greater than ourselves, something that could create such a magnificent star, or are we, like the sun, simply dust? It's a great idea, but for the larger part of the film, it seems oddly shoehorned into what is at base a sci-fi pot-boiler. In fact these ideas are better expressed in Boyle's imagery. Time and time again we see members of the crew staring aghast at the immensity of the burning ball of gas and dust in front of them. The relationship between giver and taker is better explored here than in any line of Garland's. The structure of his screenplay is also a little unwieldy. The first hour and a half play as an intense psychological study - the pace at times painfully weighty as the tension is ratcheted up ever higher. The film works beautifully here - it may not introduce anyth claustrophobic stress is certainly nothing new in sci-fi, but it follows genre conventions with such panache and artistry that it's difficult to fault. However, come the final 20 minutes, Sunshine takes a rather abrupt and unwelcome turn. A pretty hammy (not to mention poorly explained) plot twist is ushered in and suddenly we find ourselves in a horror film - a clich&d one at that. To say much more would spoil things, but needless to say, had the filmmakers showed a little restraint in the closing moments, they would have had a real classic on their hands. When the film ditches pretensions, and sticks with the clammy, slow burn thrills it excels at, it's fantastic. When it descends into predictable melodrama, it's still alright, it's just disappointing considering what we know it's capable of. As such it's remarkably well shot, superbly rendered, occasionally poignant and occasionally flawed. Whatever the case, Sunshine is never far from entirely thrilling, and, all said and done, film recommendations don't come much higher than that.
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