当你 ninelie和声部分分

来源：蜘蛛抓取(WebSpider) 时间：2017-02-16 15:05 标签： 和声部分
第三部分和声教师与学生心理。
Third is psychology of harmony teachers and students.
第三部分：和声进行与调性发展的手法。
Chapter three: The technique of harmonic development and tonal process;
所以我们即使在一起很焦虑，也仍然在对歌曲进行加工，谁提出先演唱的部分，谁提出和声的部分。
So we were even if worried together, still worked at songs, who coming up the singing on ahead, and who coming up the part of harmony.
从论文题目可以看出，本论文主要包含显示处理技术研究和声呐显示器设计两部分内容。
The function of sonar display processing technology is studying how to present the result of signal and information processing on the screen truly and quickly.
在后半部分有两个声部的和声，是一把口琴吹出来的还是两把吹出来的？
There are two chords in part B of the tune, but is that played by one harmonica or two harmonicas ?
第二部分：陈培勋作品的和声手法运用。
The second part: The application of the harmonic technique in his works.
本论文的研究工作分为两个部分：被动测距技术研究和声呐脉冲侦察模块系统硬件的研制。
The research work of the dissertation includes the following two parts: researching the passive ranging technology and developing system hardware of the sonar pulse detection module.
讨论波形捷变雷达接收部分使用声表面波带通滤波器和声表面波色散延迟线进行信号处理的有关问题。
The signal processing problems in the receiving part of multi-waveform radar using SAW bandpass filters and SAW dispersive delay lines are discussed.
第二部分是六首室内乐作品基本情况及和声应用特色的概括阐述。
The second chapter is to a summary of the development of harmony by analyzing each of the six pieces.
第二部分至第五部分是论文的主体，通过实例分析，论述和声、织体、管弦乐配器和音乐曲式结构等；
The part two to the part five, the main body of the dissertation, is discussing about the harmony, the texture, the orchestration and the form by analysing the examples.
结语部分在上述分类研究的基础上对《儿童曲集》的和声技法特点作了进一步的归纳总结。
The conclusion of this thesis further summarizes the characteristic of harmony technique of "Album for the Young" on the basis of classified study above.
第三部分为调性研究：一方面列举了作品中在传统功能和声消逝后的新的调性呈现方式；
Elements of persistency and parallelism, linear harmony, semitonic part and the like are sorted and studied. Part Three: study of the tonality.
当你认为你得到了表现你思想状态的一个和声结构，则一次又一次的弹奏它，保持你的思想固定在你正在仿效的事件上（像我们在第二部分做的那样）。
When you think you have a harmonic structure that represents your state of mind, play it over and over, keeping your mind fixed on the event you're emulating (as we did in Part II).
任何噪声、振动和声振粗糙度问题都是源路径响应器系统的问题，所以，需要采取不同途径和策略解决各部分问题，这将通过图文并茂的方式进行讨论。
As any NVH problem being a source-path-responder system, different approaches and strategies are required to address each individual part of the issue, which are discussed with illustrations.
任何噪声、振动和声振粗糙度问题都是源路径响应器系统的问题，所以，需要采取不同途径和策略解决各部分问题，这将通过图文并茂的方式进行讨论。
As any NVH problem being a source-path-responder system, different approaches and strategies are required to address each individual part of the issue, which are discussed with illustrations.
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